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Pierre Prévert (26 May 1906 – 5 April 1988) was a French film director, screenwriter, and actor.
He is the brother of Jacques Prévert, who is the subject of his documentary Mon frère Jacques.
He is the father of screenwriter Catherine Prévert.
Source: Article "Pierre Prévert" from Wikipedia in English, licensed under CC-BY-SA 3.
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Made a year after Luis Buñuel's death in 1983 this is an illuminating portrait of the surreal and visionary director, featuring clips, archival interviews, and commentary from scholars and contemporaries including Catherine Deneuve, Fernando Rey, and Jeanne Moreau. Directed by Anthony Wall with readings from Buñuel's autobiography by Paul Scofield. Six trims to meet copyright restrictions.
Journalist Claude Leroy (Jacques Champreux) reports that a secret society, The Companions of Baal, is behind a hold-up in the small town of Blaingirey. They are led by the Grand Maître Hubert de Mauvouloir (Jean Martin). An adorant of Lucifer, he aims to enslave the world. Accompanied by their acolyte, Pierrot Robichat (Gérard Zimmermann), and a young girl, Françoise Cordier (Claire Nadeau), Claude Leroy is determined to finally reveal the mysteries of the group's criminal enterprise.
Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...
This short documents the important role played by bread in the daily life of the city of Paris.
Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.
The basic premise: A retired bus driver fulfills his lifelong dream of providing an extended "voyage surprise" (the title is translated as "Mystery Tour") for unsuspecting vacationers. They soon realize, while riding in the old man's home-made bus, that he hasn't bothered to plan any kind of itinerary. As a result, they end up in completely preposterous situations, of course. Voyage surprise!
At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.
Jules Frémissin is shy and in love. The father of the object of his flame is also shy. The marriage proposal is very laborious, because before marrying Cécile Thibaudier, Jules must fight a duel with the arrogant Vancouver, convinced that all this eager and awkward courtship was intended for his own wife, also named Cécile.
There's never a dull moment at the Hôtel du Libre Echange. Deceptions, hitches and other misunderstandings make a few people mingle whereas, for their own sake, they should not. An example among others: an expert who has come to the hotel for professional reasons had better not meet his wife, who is there to cheat on him with his best friend.
Capricious small-town girl Juliette and barge captain Jean marry after a whirlwind courtship, and she comes to live aboard his boat, L'Atalante. As they make their way down the Seine, Jean grows weary of Juliette's flirtations with his all-male crew, and Juliette longs to escape the monotony of the boat and experience the excitement of a big city. When she steals away to Paris by herself, her husband begins to think their marriage was a mistake.
Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.