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Pierre Merejkowsky is a french multimedia artist who directed more than 40 films and is now working on a digital platform for screenings and debates.
The making and the screening of his films propose a temporary intervention zone based on chance, encountered by meetings, and on accidents, financial and meteorological ones.
Hector meets Truquette on Bastille Day and becomes obsessed with seducing her. The plan is to get her to the seaside pronto. Pator is not complaining, especially if her friend Charlotte comes along for the ride. So off they go, down the country roads of a broke and broken France. Times are hard ! Suddenly the government cancels a month of summer. Everyone back to work! A wad of cash and two gun shots later, the group splits in two like France itself. But careering away from work in no way daunts the remaining trio, dead set on relocating the Bastille Girl and reveling in an endless summer.
In a Paris in full economic slump, Jojo and Eugène have one after the other loving failures. And if all this was connected ? Our two infiltrated agents thus begin a investigation on young girls. We discover that the young girls are not always young and sometimes not even a girl.
Muinski, a dealer, lives at night in an old, mysterious project. He's accompanied by Tô, an Asian man who is dying. Tired and lacking clients, Muinski wants to shut down his business and to set up a bookstore. But he starts receiving strange packets containing black powder, an unknown drug... He tries it. One night, he invites a few friends over for a party, at the end of which his life takes a sudden turn. Under the influence of the drug, Muinski commits an irreparable crime. But things aren't as clear-cut as they seem.
From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.