"Philippe Cote (8 August 1965 - 24 November 2016) lived and worked in Paris.
He made over 20 Super 8 films beginning in 1998 which were screened in festivals and film series in France and other countries.
He curated experimental films programs and was on the selection commitee of the Festival International des Cinemas Differents et Experimentaux in Paris.
He was a member of the film cooperative L’Etna, an artisanal and member-run film development laboratory founded in 1997 in Paris
A filmmaker with a sensitive and radical vision, his earlier works focused on the themes of the body, matter, light and color with techniques that range from cameraless filmmaking to painting on celluloid.
After 2005, he moved towards a poetic and contemplative approach to documentaries and travel films.
For Philippe Cote, cinema revealed itself as a space of self-invention and of the other one, plastic exploration of the limits of subjectivity and an attempt to establish links.
In a desire to take a permanent risk, his work wove and transformed from one film to another, seeking what occurs in the gaze’s movement, constantly transformed by the prints.
" - Violeta Salvatierra
Lanzarote, a volcanic island of the Canary Islands was shaped in the eighteenth century by a series of eruptions. It preserves its memory through semi-desert mineral landscapes. In 2015, I traveled this territory in search of the cataclysm. In this devastated landscape, traces of a return to life were emerging.
In this film, shots from two voyages unfold in parallel. First, 8mm images made at the beginning of the seventies by an unknown traveler: this 20-minute film was found at a flea market. A handwritten text described an itinerary, while the boxes indicated the years 1973 and 1975. These shots, left as they are, punctuate super8 images filmed by me during two recent trips, in 2008 and 2010, organized in the sequence with respect to the itinerary that I had followed. The soundtrack for my images comes from the ambient sounds recorded on location as well as from online sharing sites, while the older images have been left silent. It is a film of snapshots revealed and developed by a gaze, taken in a geography dreamed up by the author: not a travel journal but a travel film: a voyage to the interior of a signifier, a desire of a poetics of image and sound.
'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra