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While other major artists trudge painfully through a handful of over promoted releases each decade; this drummer/actor/singer/producer has been constantly active in all manner of contradictory and unlikely projects.
His history with Genesis is well documented from their art-house beginnings to multi-platinum status as the band grew up, lost Steve Hackett and then Peter Gabriel and ended up making videos with tongues firmly in their cheeks.
Collins launched his solo career twenty nine years ago with “Face Value” (‘81), followed by “Hello, I Must Be Going” (’82), “No Jacket Required” (’85), “…But Seriously” (’89), “Both Sides” (’93), “Dance Into The Light” (’96) and “Testify” (‘02) picking up numerous awards including 7 Grammy’s, 2 Oscar nominations and a Golden Globe for “Two Hearts”.
After leaving Genesis in 1996 he released a “Hits” album in 1998.
Between Phil’s solo and Genesis recordings and excluding his other activities, Phil has sold over 200 million records.
His acting CV reveals that he first trod the boards at 14 when he took the role of the Artful Dodger in a West End production of “Oliver”.
He also made childhood cameos in the Beatles “A Hard Days Night” (‘64) and “Chitty Chitty Bang Bang” (’69).
Since then he’s starred with Julie Walters in “Buster” (’88), took the lead role as the arch-villain in “Frauds” (’92), made a brief appearance in Spielberg’s “Hook” (’92) and played the Greek owner of a chain of gay bath houses in “And The Band Played On” (’92).
In addition to this Phil “The Spiv” turned up in a 1985 episode of Miami Vice and four years later he took the part of Uncle Ernie in The Who’s rock opera “Tommy”.
He has written songs for the Disney Feature’s “Tarzan” and “Brother Bear”.
“You’ll Be In My Heart” from “Tarzan” won a Golden Globe Award for “Best Song Written For A Film”.
This song, in addition to the soundtrack was also nominated in the Grammys and won for “Best Original Song In A Movie”.
Phil also won an Oscar for the same song in March 2000.
The Greatest Ears in Town is an insightful documentary and testimonial to Arif Mardin; the producer, arranger, musician and multi Grammy award winner.
When one of his missteps puts his family in jeopardy, Tarzan decides they would be better off without him.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.
Mowgli has been living in the man-village with his little stepbrother Ranjan and his best friend Shanti. But the man-cub still has that jungle rhythm in his heart, and he misses his old buddies Baloo and Bagheera. When Mowgli wanders back to the wild for some swingin' fun, he soon finds the man-eating tiger Shere Khan is lurking in the shadows and planning his revenge.
Tarzan was a small orphan who was raised by an ape named Kala since he was a child. He believed that this was his family, but on an expedition Jane Porter is rescued by Tarzan. He then finds out that he's human. Now Tarzan must make the decision as to which family he should belong to...
An outcast half-wolf risks his life to prevent a deadly epidemic from ravaging Nome, Alaska.
The history of rock n' roll and pop music are explored are explored via interviews and footage of well-known music stars.
The film is a story of the ways in which insurance investigator Roland Copping interferes in and manipulates the lives of others with outrageous games and gimmicks. Eventually he becomes involved in an escalating vendetta with a couple who make an unusual insurance claim.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids. During his trip to see Granny Wendy in London, the vengeful Capt. Hook kidnaps Peter's kids and forces Peter to return to Neverland.
This film combines live action/original animation and library animation. Mickey steals a magic hat from a Sorcerer and is put under a spell by the angry magi so that no one will recognize him until he finds his own magic within. While Mickey is on his quest, network news teams around the country desperately try to find the famous, beloved mouse who has mysteriously disappeared. On his quest, Mickey goes into the "Cheers" bar, meets up with the characters from "Family Ties", and winds up on Disneyland's Main Street the night before his Birthday celebration is to take place. It is there that he finds he has all the magic inside him that he will ever need. The spell is broken and the Birthday bash commences as the whole World celebrates the beloved Mickey Mouse.
Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can't contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.
After his plane crashes in Siberia, a Russian dancer, who defected to the West, is held prisoner in the Soviet Union. The KGB keeps him under watch and tries to convince him to become a dancer for the Kirov Academy of Ballet again. Determined to escape, he befriends a black American expatriate and his pregnant Russian wife, who agree to help him escape to the American Embassy.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives.
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.