Peter Steen blev født i Randers i 1936.
Han blev student i 1954 og studerede medicin et par år.
I 1960 blev han optaget på Det kongelige Teaters elevskole, og i 1963 blev han ansat på teatret.
I 1974 blev han freelance og spillede en lang række roller bl.
a.
på Rialto Teatret, Folketeatret og Odense Teater.
Siden slutningen af 1970'erne har han været iscenesætter af en række teaterstykker.
Han har været gift fire gange, bl.
a.
med væversken Kim Naver og skuespilleren Lisbet Lundquist.
Hans erindringer "Tak skæbne" giver et klart indblik i hans liv og karriere.
A powerful modern film narrative, set in a historical framework, about the crucial encounter between vulnerable eighteen-year-old Hans Christian Andersen, who rates himself so highly, and Mr. Meisling, the cynical school principal. An encounter that fundamentally transforms Hans Christian's life.
Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.
A young Danish man, Christoffer, lives a life of joy and happiness with his wife Maria in Stockholm. When his father dies his mother insists that Christoffer take over management of the family industry which is in danger of bankruptcy. He is torn between his chosen life and his sense of duty to his family and its past. When he chooses to step in as manager his family life and self-respect languish.
The boy Topper is bored. He finds a pencil that proves to have magical powers. Draw a rhino, and right away, you have a real rhino for a companion. A little heavy perhaps, when you live on the second floor. No matter, it's a modern fairy-tale of the baroque, and everything goes. Based on kiddie entertainment by Ole Lund Kirkegaard, but as was the case with the book, the fun is to be enjoyed by one and all.
Egon plans to exploit knowledge gained during his latest term of incarceration. By stealing the unmanipulated financial records of DanInvest he obtains the majority of the stocks in the department store Magasin du Nord, just in time for their closing sale. The attempt to get the red suitcase that will save the day they rob the main vault at the EEC headquarters in Brussels and end up hijacking a tank.
Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.
A man decides to perpetrate a series of killings and publicise them as political acts in an attempt to protest against nuclear armaments.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
The Olsen gang in Jutland. Ones again Egon Olsen has a plan when he gets out of Vridslose State Prison. He has found out that the Germans left a large sum of money (in American dollars and gold bars) in one of their commando bunkers, when they were defeated in 1945; the only problem it's in Jutland. Egon, Benny and Kjeld "appropriate" a car and drives to Jutland along with Kjelds wife and child Yvonne and Borge. They look forward to fooling the the people in Jutland, but of course, things don't go quite as planed. It ends with Benny, Kjeld, Borge and Yvonne sitting in the train back to Copenhagen, were they are overtaken by Egon in his car on the road next to the track. This is the last time the Olsen gang goes to Jutland.
The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.
The first of 14 Olsen Gang films presents us with Egon Olsen, head of the gang, and his friends Benny and Kjeld, who want to become the best known gang in Denmark and eventually Europe by stealing a famous Bavarian work of art currently displayed in a Copenhagen museum. Although Egon's plan works out fine, there is only trouble ahead for the little gang.
Danish family film directed by Finn Henriksen and starring Dirch Passer.
Taking place on a small villa road: The two neighbors Gormsen and Sandelund have been at a dispute for years and this evolves into an all out war. Sandelund is a wholesale dealer in meet, a capitalist and has one of this modem houses with a flat roof. Gormsen is a dentist, and a communist, he has a new wife that are younger then his son, and lives in one of these old-fashioned half-timbered houses. A third factor is the merchant Krause. To begin with he is a small time grocer and progresses into the end, a big time businessman. He is a deeply religious man, a good Christian, and member of the parochial church council. There children, (teenagers) find their conflict silly and stupid.