Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.
HANNA loves YANN and the lettres filmees that he sends her, short, poetic films recorded with an iPhone. Yann loves Hanna, but mistrusts her. He leaves her, but does not leave her alone. ...
Vienna, in the 1930s. The attractive and famous writer Albert Rank receives the letter from a stranger. He discovers that she devoted her entire life to her boundless love. In her letter, Rose looks back on a variety of meetings with Albert: Since childhood, she is slavishly in love with him and she never got away from her throughout her life. In many encounters Rank could not recognize them, even if the shared moments had been wonderful. As an adult woman, Rose's love is too painful to go on, and she has dire consequences.
Several emblematic buildings in Vienna suffer from a series of explosions that destroy works of art of inestimable value, as well as generating a large number of victims. Detective Peter Bender will need the help of Lena, a student of art, discover the murderer, because it uses a hidden code in the symbolism of the boxes to convey a message.