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Peter Greenaway, CBE (born 5 April 1942) is a Welsh writer-director, painter, and video artist based in Amsterdam.
Throughout the late 1960s and '70s, he produced several experimental documentary/mockumentary shorts while working as a film editor for the Central Office of Information.
This early period culminated in "The Falls" (1980), a three-hour mockumentary indexing the strange effects of the VUE (the Violent Unknown Event) on 92 people whose names begin with the letters F-A-L-L.
He made his dramatic feature film debut with "The Draughtsman's Contract" (1982), and throughout the 1980s directed a string of critically acclaimed and frequently controversial films: "A Zed & Two Noughts" (1985), "The Belly of an Architect" (1987), "Drowning by Numbers" (1988), and his best-known work, the vicious Thatcher-era satire "The Cook, the Thief, His Wife & Her Lover" (1989).
In the 1990s, he directed the Shakespeare adaptation "Prospero's Books" (1991), controversial religious satire "The Baby of Mâcon" (1993), erotic drama "The Pillow Book" (1996), and "8½ Women" (1999), an homage to the films of Federico Fellini, a major influence on Greenaway.
In the early 2000s, Greenaway embarked on the ambitious "Tulse Luper" project, a multimedia body of historical fiction revolving around the life of the eponymous fictional hero.
In addition to novels, CD-ROMs, online material, and a touring exhibition, the project spawned a trilogy of feature films: "The Tulse Luper Suitcases, Part 1: The Moab Story" (2003), "The Tulse Luper Suitcases, Part 2: Vaux to the Sea" (2004), and "The Tulse Luper Suitcases, Part 3: From Sark to the Finish" (2004).
The trilogy was followed by a fourth feature, "A Life in Suitcases" (2005), which abridges the Tulse Luper saga into a single film.
Since the mid 2000s, Greenaway's film work has focused on idiosyncratic, heavily fictionalised biopics dedicated to some of his favourite artists: Dutch Golden Age painter Rembrandt van Rijn in "Nightwatching" (2007), Dutch Baroque engraver Hendrik Goltzius in "Goltzius and the Pelican Company" (2012), Soviet Russian filmmaker Sergei Eisenstein in "Eisenstein in Guanajuato" (2015), and Romanian-French sculptor Constantin Brâncuși in "Walking to Paris" (TBD).
Greenaway has lived and worked in Amsterdam since the mid 1990s.
He is married to artist Saskia Boddeke, with whom he has two children.
He also has two children from a previous marriage to potter Carol Greenaway.
Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war, depicting the oblivious pet's surreal impact on the Reich.
Five hundred years after his birth, the life and career of the Italian Renaissance's last great painter is explored.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.
Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise of fascism. Packed with stylistic flourishes, it's a dense, comic study of 20th century history, revolving around the contents of one man's suitcases. The Tulse Luper Suitcases reconstructs the life of Tulse Luper, a professional writer and project-maker, caught up in a life of prisons. He was born in 1911 in Newport, South Wales and presumably last heard of in 1989. His life is reconstructed from the evidence of 92 suitcases found around the world—92 being the atomic number of the element Uranium. The project by Peter Greenaway includes three feature films, a TV series, 92 DVDs, CD-ROMs, and books.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
A woman with a body writing fetish seeks to find a combined lover and calligrapher.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
The exploration of the effects of an unexpected catastrophe, known as VUE (violent unknown event) through the bios of 92 survivors.