David Hare's account of a one-time French freedom fighter who gradually realizes that her post-war life is not meeting her expectations.
Tragic Anna leaves her cold husband for dashing Count Vronsky in 19th-century Russia.
A small island community is overrun with creeping, blobbish, tentacled monsters which liquefy and digest the bones from living creatures. The community struggles to fight back.
The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.
Set in a Japanese prisoner of war camp during World War II, the film focuses on the brutality and horror that the allied prisoners were exposed to as the Japanese metered out subjugation and punishment to a disgraced and defeated enemy. This harrowing drama concentrates on the deviations of legal and moral definitions when two opposing cultures clash. Although fictional, this was one of the earliest films to deal realistically with life and death in a Japanese prisoner-of-war camp during the Second War.
A mad scientist captures women and feeds them to a flesh-eating tree, which in turn gives him a serum that helps bring the dead back to life.
The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?