Lazarus de Jesus is the adopted son of a wealthy lady from Lisbon, whom he calls Grandmother. It is she who introduces him to Godfather, a great businessman who takes him as his protégé, and Angelina, the woman Grandma wants him to marry. But Lazarus has other hidden interests, the most important of which is an obsessive fixation on female armpits. When he sees the violinist Maria Pia playing, Lazarus immediately falls in love and starts to live for her, which will precipitate an absolutely unpredictable ending.
At first sight, 10-year-old Benoît Brisefer, seems like any other little boy his age. However, Benoît is endowed with amazing force. All the bandits who cross his path learn this to their own cost. But, unfortunately, no one is perfect... As soon as he catches a cold, Benoît loses his extraordinary physical abilities. Hence he never takes off the woollen scarf wrapped around his neck. Brave and very determined, he doesn't hesitate a second to take action to defend his friends. So, when Poilonez - a well known crook - and his gang decide to focus on Mr. Dussiflard, his taxi driver friend, Benoît does all that he can to thwart his plans.
Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.
David has a wife and young daughter. In a few days he will be moving abroad with his family. The death of his grandfather obliges him to return to the village of his birth and a family he hasn’t seen in years. There he meets his cousin's wife Ana, who intrigues him, and this trip, which should have ended with the funeral, turns into a long stay.
A wealthy landowner, "The Dauphin," enjoys a decadent life of hunting, drinking, and womanizing. He oversees his estate, the Laguna, with his barren wife, his one-armed manservant, and his treasured guard dog. When a sportsman (the film’s narrator) comes to the estate for his annual duck-hunting excursion, he discovers the body of the landowner’s wife floating in the lagoon and the manservant dead on his master’s bed. The Dauphin and his dog are nowhere to be found except for the mysterious barking sounds heard over the lagoon.
Telefilm directed by Pierre Kast broadcast in 1985, based on the eponymous novel by Boris Vian.
Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.