detail profile paul sanchez iv
Paul Sanchez IV
Paul Francis Sanchez Yates
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Paul Sanchez IV (a.
k.
a.
Paul Sanchez Yates) is a Director, Assistant Director, Writer and Cinematographer known for Modulations (1998), Moby Presents: Alien Sex Party (2003), Onion Underwater (2006), and The Trial of Han Solo (2005).
He attended NYU photo, received his BFA in Filmmaking from S.
U.
N.
Y.
Purchase and his MFA from the American Film Institute.
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Thomas Harrison is determined to start...No Alternative 2018
Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.
Alyssa moves into a luxury apartment...The Landlord 2017
Alyssa moves into a luxury apartment complex but is unaware she is being watched by her disturbed landlord, Robert, via hidden cameras. Robert will do anything to fill the void left by his estranged daughter–even if that means replacing her.
Who is Taylor That is the...The Mirror 2013
Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.
Ten minutes into the future a...
Less a documentary than a primer...Modulations 1998
Less a documentary than a primer on all electronic music. Featuring interviews with nearly every major player past and present, as well as a few energetic live clips, Modulations delves into one of electronica's forgotten facets: the human element. Lee travels the globe from the American Midwest to Europe to Japan to try to express the appeal of music often dismissed as soulless. Modulations shows that behind even the most foreign or alien electronic composition lies a real human being, and Lee lets many of these Frankenstein-like creators express and expound upon their personal philosophies and tech-heavy theories. Lee understands that a cultural movement as massive and diverse as dance music can't be contained.
