Paul Buissonneau started his career as a singer with french chorus "Les Compagnons de la Chanson".
While the chorus was touring North America with Édith Piaf, Paul left the "Compagnons" and stayed in Canada.
He became actor, put on stage many plays and revues, particularly for children (Quebec baby-boomers surely remember his "Roulotte") and made many T.
V.
appearances.
A colorful character, Buissonneau founded "Le Théâtre de Quat'Sous" (litterally, The Four Pence Theater) with actors Yvon Deschamps and Jean-Louis Millette, and actor and singer-songwriter Claude Léveillée in 1955, and on may 1968, he put on stage a happening that changed music and theater in Quebec: "L'Osstidcho", starring Deschamps, singer Louise Forestier, singer-songwriter Robert Charlebois and his wife Mouffe.
Other memories from Paul Buissonneau is his character Piccolo, created in the late 60's for a children TV series of the same name.
Albert Renaud, a young French Canadian dreams of becoming a movie star and take the train to Hollywood. His trip is filled with adventures.
REDISCOVER the best moments of: Bob Binette, Jacques Chevalier Longueuil, Raymond Beaudoin, Ginet Robidoux, Dave Ash, Ludger, Corporal St-Gelais, Chose, Yasser Arafat (Québec version). LES BLEU POUDRE on Taquinons la planète was: disobedience (they got kicked in the balls), indecency (they walked around naked), recklessness (they went to chat with the Mohawks), and mischievousness (they loved new rhymes). LES BLEU POUDRE was also politically very incorrect — and damn, it felt good. ENJOY IT WHILE IT NO LONGER EXISTS.
Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.
Valerie leaves behind her life at a convent for the wild side of life. Getting a job as a topless dancer, Valerie quickly graduates to becoming a high-class hooker. After amassing a small fortune, she falls in love with an artist, a man who is more-than-willing to overlook Valerie's sordid past.
An indecisive young woman with an abnormal devotion to her father can't decide on which of her two boyfriends she should end her relationship with.
This short film for kids offers a lesson in proportions in which simple actions achieve surprising results. A man wants a door in a wall. He draws a rectangle and, presto! There is an opening. In the same way, he conjures up furniture. If too high or too low, the raising or lowering of a finger puts everything right.