atau dikenal sebagai
From Wikipedia, the free encyclopedia
Patrick Magee (31 March 1922 – 14 August 1982) was a Northern Irish actor best known for his collaborations with Samuel Beckett and Harold Pinter, as well as his appearances in horror films and in Stanley Kubrick's films A Clockwork Orange and Barry Lyndon.
Description above from the Wikipedia article Patrick Magee (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
A vampire attacks a horror author on the street and then invites him to a nearby club as a gesture of gratitude, which turns out to be a meeting place for assorted creatures of the night. The vampire then regales him with three stories, each interspersed with musical performances at the club.
Hawk the Slayer, after seeing both his father and bride die at the hands of his malevolent brother, Voltan, sets out for revenge and the chance to live up to his title. Tooling himself up with the "mind-sword" and recruiting a motley band of warriors: a giant, a dwarf, a one-armed man with a machine-crossbow and an elf with the fastest bow in the land; Hawk leads the battle against Voltan to free the land from the forces of evil and avenge his loved ones.
Nicolai Dalchimski, a mad KGB agent steals a notebook full of names of "sleeping" undercover KGB agents sent to the U.S. in the 1950's. These agents got their assignments under hypnosis, so they can't remember their missions until they're told a line of a Robert Frost poem. Dalchimski flees to the U.S. and starts phoning these agents who perform sabotage acts against military targets.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
A widow deceives her late husband's mother and brothers into thinking he's still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance, but her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family's Irish estate.
Tracey Lawrence is assautled in her home and is so affected by the traumatic event she now finds all men totally repulsive, including her husband. Her attitude does not change with time, and to make matters worse her husband has got romantically involved with his secretary. Also, the police still have not tracked down Tracey's attacker and there is no guarantee that she is safe.