The story of British serial killer John Christie, who committed most or all of his crimes in the titular terraced house, and the miscarriage of justice involving Timothy Evans.
British agent Bulldog Drummond is assigned to stop a master criminal who uses beautiful women to do his killings.
Charles Dobbs is a British secret agent investigating the apparent suicide of Foreign Office official Samuel Fennan. Dobbs suspects that Fennan's wife, Elsa, a survivor of a Nazi Germany extermination camp, might have some clues, but other officials want Dobbs to drop the case. So Dobbs hires a retiring inspector, Mendel, to quietly make inquiries. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan.
Colonel Stok, a Soviet intelligence officer responsible for security at the Berlin Wall, appears to want to defect but the evidence is contradictory. Stok wants the British to handle his defection and asks for one of their agents, Harry Palmer, to smuggle him out of East Germany.
Defiant's crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty. Violence must be no part of it. The continual sadism of Defiant's first officer makes this difficult, and when the captain is disabled, the chance for violence increases.
Wartime thriller with film noir elements based on a true story as written in A.P. Scotland's autobiography "The London Cage". The plot has greatly exaggerated the actual events of A.P. Scotland's experiences, including the addition of a fictional love interest.
A bomb dooms the first space satellite, manned by a selfless crew, a stowaway reporter (Lois Maxwell) and a mad scientist (Donald Wolfit).
Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
Fred Martin, a taxi driver who is a reformed convict, is used by the police to go undercover in order to help catch a gang of safe robbers. However things start to go wrong when the police stake out the wrong bank and Fred finds himself alone with the crooks.