Patricia Mazuy is a French film director and screenwriter.
She is known for her keen-eyed period dramas, wry examinations of modern workplace dynamics, and lean, brooding chamber pieces of familial angst.
Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...
What causes a man who has everything to jeopardize his comfort, career and relationship? A passion, as burning as it is fresh, for five acres of land in the Limoges region. But land has to be earned, especially when one comes from the city. And so Franck embarks on a quest for his own Holy Grail. He needs a tractor.
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
In a family-owned bowling alley, tension arises between two brothers following their father's death. Meanwhile one of them, a cop, is investigating a series of disturbing murders. Both brothers soon find themselves trapped in a looming darkness.
The reappearance of notorious criminal Paul Sanchez becomes an obsession for a young police officer who will do anything to catch him.
Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.
They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.
This microcosm of power and money has no time for Gracieuse, whose only assets are her talent, her fiercely stubborn character, and, most particularly, her determination to succeed. A high tension wire who's ready to stand up to Franz Mann and to face any obstacle, even if it means stepping outside the law, she pursues her sole obsession: to have a horse to call her own that she will take to the top.
Basse Normandie is based on actual events. Protagonists Simon Reggiani and Patricia Mazuy are also husband and wife in real life. They filmed the creation of one of Simon’s plays, and then reenacted some of the events surrounding it. Simon prepares for a one-man show that he will perform largely on horseback, including dressage. The local government of the region hopes to use the play to improve its image; with government’s support, it’s decided that Simon will perform the play before an audience of over 1,700 farmers during an agricultural congress in Paris. The director of a large stud farm provides Simon with rehearsal space. What follows is the path that Reggiani had to take in order to create his performance — a path filled with obstacles ranging from uncooperative stable staff and a grumpy horse to vocal problems. An intriguing and occasionally absurd mixture of filmed theater, a making-of documentary, mockumentary and dressage lesson.
Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.
Cattle breeding leaves less and less room for chance or empiricism. While focusing on the relationship between the farmer and his cows, Patricia Mazuy takes us on the great merry-go-round of animal selection and the quest for performance. With precision and humor, this masterful film introduces us to genetics, testing, artificial insemination, "in vitro" fertilization, cloning and other embryo transfers in the French cattle breeding world.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.