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Randolph Denard Ornette Coleman was an American jazz saxophonist, violinist, trumpeter, and composer.
He was one of the major innovators of the free jazz movement of the 1960s.
"Jacques Goldstein goes on a quest for a spectre, a spectre that haunts Jazz. Who was Ornette Coleman, the saxophonist and composer ' If his seminal body of work is now - rightfully so - fully recognized, the man remained deliberately mysterious and enigmatic. The director visits and interviews musicians who owe him a lot. A portrait of Ornette takes shape as these sketches gradually unfold."
A journey in sound through the unusual life and career of jazz legend Charles Lloyd. Lloyd's own voice, and those who worked with him over the last five decades help us discover and better understand this enigmatic man and his spiritual pursuit through music.
The story centres on an orphaned quartet (boy, two girls, a baby) washed ashore on a desert island in what just might be the Bahamas. There, they encounter a pile of branches that transforms into a dubious Jesus-esque bearded man, as well as a doppelganger family of naked black children.
Sonny Rollins: Beyond the Notes uses his 80th birthday concert to look into the man and his music.
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Blank-faced bug killer Bill Lee and his dead-eyed wife, Joan, like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway, Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.
Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.
Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.
The important L.A. Newsreel film about the Black Panthers that was rediscovered and written about by USC professor David James. Featured in the film is rare footage of many of the important West Coast Panthers such as Masai Hewitt, David Hilliard, Alprentice “Bunchy” Carter, Eldridge Cleaver, John Huggins, and as well as footage of the aftermath of the LAPD raid on the Los Angeles Panther Headquarters. Musically the film begins with the opening jazz music by Ornette Coleman and later features the call to arms anthem, “The End of Silence” written and sung by Panther Elaine Brown.
A film in cut-out animation depicting the demographic problems of the world. It shows that in many countries freedom from the old scourges of famine and disease has in turn created the new problem of more mouths to feed. The film suggests that wealthier nations might increase all forms of aid to struggling nations to create a better world.
Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.
Insane asylum inmates escape their confinement and hole up in a deserted Belgian farmhouse, where they cook large quantities of eggs and condemn one of their own in an impromptu court. Accompanied by a frenetic original soundtrack by the great Ornette Coleman and starring The Living Theater.