At the Opera of Toulon, the cast and crew hoping to put on a Satanism / human sacrifice-themed ballet entitled “La malédiction de Belphégor” soon find their numbers dwindling.
When an oily attorney dies at the hands of the mafia, a dedicated French detective investigates the man's murder. He soon uncovers a drug-smuggling operation and lets his sawed-off shotgun do the talking to the toughs in this Gallic gangster feature.
Maroîs, the fairground bon vivant, spends most of his time around a bottle of wine, in the company of his friend Michaux, with whom he was once a sailor. He neglects his wife Monique, a pretty girl much younger than himself. Suffering from this indifference, she seeks imperfect and fleeting consolation, first from Michel, their friend's son, then from Jean-Louis, a young mechanic who has helped out with Maroîs' truck and won his trusting friendship. Michel, jealous, tells the showman of his misfortune. He leaves to kill his wife's lover. The latter, wishing to separate the antagonists, seriously burns herself by knocking over an autogenous welding block, which explodes. Taken to hospital, she asks for and receives her husband's forgiveness.
In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.
Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the French Riviera and spend, as he regularly does, comfortable and carefree holidays in the luxurious villa of his friend Paule. But, on his way, he meets Manette, a beautiful but poor girl to whom he offers to become his companion for the Summer. Manette accepts the strange deal in exchange for bed and board. As Philippe always comes in the company of his mistress of the time, the presence of Manette does not pose a problem. But the young woman soon feels ill-at-ease in such a dubious environment. moreover, she realizes that she is falling in love with Philippe, who might not be so cynical as he wants to appear.