The key character in the story story is Marko, a failed scriptwriter, who has been working as a taxi driver for years and follows his adventures during one hilarious night.
Ustanička ulica is a Serbian political thriller. Dušan Ilić (Gordan Kičić), employed at the Serbian state prosecutor's office, gets a top secret case to investigate a war crime committed by a disbanded paramilitary unit. He manages to find Mićun (Uliks Fehmiu) who's the only surviving witness.
Ivan teaches history in a Belgrade high school. In his class, Ivan is provoked by a student and ends up slapping him on the face. In Serbia, in the heat of transitional changes, Ivan’s presence in school is no longer welcomed. He finds a temporary job opportunity in a war-scarred mountain village in Bosnia. On his way there, he meets Yasmina, a young Muslim woman, back from Germany to her homeland after the war and after being invited by an old friend – Hazim - who now runs a motel. A lone kiss in a stormy night, in a village still lying in ruins, will bring Yasmina and Ivan closer together in a joint escape from reality and to a ride on a dusty bus, where neither one of them wants to sit next to the window.
A contemporary historical film reflecting the drama of the profound social changes that the Serbian society underwent at the turn of this century. The story is delivered through an account of the development of the local ambulance service. Adhering to the spirit of modern neo-realism, this evolution is illustrated by three stories set in three different periods linked by mutually connected and conditioned characters; and there is also a dream of what it could be!
We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.
In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.
The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.
The plot follows Steva, who is in love with an actress, Duja, who adores his motorcycle, and Bane, who plans to steal the motorcycle. Nikola desperately searches for a job, while Toma is in love with Mira, who is in an abusive relationship and occasionally thinks about Toma. The film highlights the despair and isolation of a generation in the post-war era.
Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.
Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.
A three-part anthology film. Story 1: A released convict traces his girlfriend and other people who were responsible for his imprisonment. Story 2: A factory worker Pantic comes to Belgrade where he befriends a waiter. Having no overnight lodge, Pantic spends the night in the bar where his new acquaintance works, and becomes a victim of group of people who start picking on him. The initially protective waiter joins their harassment, and that's when Pantic pulls out a knife. Story 3: A female reporter gets back from the province without getting job done. On her way back, she meets an abused woman who lives with her husband in a trailer, making grill. The two will run away together, facing many hazards and trials.
A drunkard is obsessed with a young attractive lady who refuses his advances.