In the 1990s, in the city of Mar del Plata, about thirty women disappeared and were murdered, most of them sex workers. A serial killer that was given the name of “El Loco de la Ruta” was blamed for these crimes. Every investigation that had to do with these crimes was half-hearted and defective; the stigmatization of the victims was much more intense than any aim at justice. In a decade pierced by impunity and social discontent, the women, most of them still unorganized, were the only ones to raise their voices and take the cold city streets reclaiming justice.
In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
In this documentary, Garassino records behind the scenes of the OIANT, based at the National University of Tres de Febrero. An initiatory journey with their musicians: from the investigation of pre-Columbian codices to build lost instruments, the combination with new technologies, to their concerts around the world that are authentic rituals on stage.
Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.
Argentina, the year 2022. Second Falklands war. After 2 years of the wildest fight, the British gradually destroy the troops of the Argentine Army and intend to exterminate the enemy in the Islands. An Argentine soldier trained in the art of Ninjutsu, will intervene the monstrous plan risking his life and that of all those around him.
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
Ignacio Pereztrona (Vic Cicuta / Víctor Melman) is a tough anti-drug police officer, after being captured by a gang of drug traffickers who decides to prostitute him and become addicted to the "deadly drug" of marijuana, until he manages to escape and take revenge.
Orella and Cayalot are a duo of Buenos Aires police officers who detest themselves, but who by chance end up locked in a building dominated by drug traffickers who experiment with androids and traffic cocaine inside people.
Matías is a Russian-language translator. Rody, an Interpol agent who requires his services to clarify a case. A series of unforeseen events envelop them in a desperate run to protect their lives.
Matias is a young man living his dream as unattainable. Nicholas, his best friend, will confront the social environment that undermines their aspirations.