Nicole Holofcener (/ˈhɒləfsɛnər/; born March 22, 1960) is an American film and television director and screenwriter.
She has directed seven feature films, including Walking and Talking, Friends with Money and Enough Said, and various television series.
Along with Jeff Whitty, Holofcener received a 2019 Academy Award nomination for Adapted Screenplay, a BAFTA nomination for Best Adapted Screenplay, and won the Writers Guild of America Award for Best Adapted Screenplay for the film Can You Ever Forgive Me? (2018).
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Ruby Gillman, a sweet and awkward high school student, discovers she's a direct descendant of the warrior kraken queens. The kraken are sworn to protect the oceans of the world against the vain, power-hungry mermaids. Destined to inherit the throne from her commanding grandmother, Ruby must use her newfound powers to protect those she loves most.
A novelist's longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book.
ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn't fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
For this year's Movies Issue, The New York Times Magazine commissioned lines from an eclectic and talented group of screenwriters — writers responsible for some of the best scripts of 2013. We asked them each to write a single line for us — not a scene, a script or a scenario, but simply an intriguing, amusing or captivating line of dialogue. Then we gave these lines to one of the great movie artists of our time: the cinematographer Janusz Kaminski, a two-time Oscar winner. Kaminski used these lines as inspiration to create 11 original (very) short films. Each short evokes a style or genre of the cinematic past and stars an actor who gave an especially memorable performance in 2013.
Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne...
The documentary, Kingdom Come follows a first-time director (Daniel Gillies) as he tries to raise a million dollars to finance his first film, Broken Kingdom. This emotionally-charged journey is interwoven with over 30 rare interviews from acclaimed indie darlings including Mark Ruffalo, Illeana Douglas, Don Cheadle, Kevin Smith, Edward Burns, Tim Roth, Morgan Spurlock, Selma Blair, Robert Townsend, Bill Pullman and many more.
Max imagines running away from his mom and sailing to a far-off land where large talking beasts—Ira, Carol, Douglas, the Bull, Judith and Alexander—crown him as their king, play rumpus, build forts and discover secret hideaways.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
An intimate family portrait of four hapless but resilient women and the bittersweet lessons they learn in keeping up with the hectic demands of their individual neuroses. Each of the women seeks redemption in her own haphazard way, but whatever salvation they find is illusory and short-lived.
Just as Amelia thinks she's over her anxiety and insecurity, her best friend announces her engagement, bringing her anxiety and insecurity right back.
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named Ernesto, the two become bitter enemies. While their dispute escalates towards violence, the violence of the world around them soon also impacts their lives.
A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.