Rosa von Praunheim is the satanic sow, incarnated by the wanton actor Armin Dallapiccola. A poetic compendium of life and death with pushy fans, the Good Lord, lovers and Rosa’s horrified mother.
Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.
When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
Paul Baumer and his friends Albert and Muller, egged on by romantic dreams of heroism, voluntarily enlist in the German army. Full of excitement and patriotic fervour, the boys enthusiastically march into a war they believe in. But once on the Western Front, they discover the soul-destroying horror of World War I.
After shooting stuffed animals into pieces YouTubers and wanna-be-hunters Mike and Herman cross path with their opportunity of becoming big game hunters: An ice bear and rabbit on a date. A grotesque on beastly humans and human beasts in the age of the internet.
Five houses, one bus stop, cows and nothing but fields. 24-year-old Christin lives on the farm of her long-term boyfriend Jan. The exciting post-reunification years that defined her childhood are long gone. Her relationship is loveless. She keeps the cherry liqueur close at hand. In the shimmering heat of summer, time seems to stand still – until 46-year-old wind energy engineer, Klaus, arrives.
Occupied France, 1942. Gilles is arrested by SS soldiers alongside other Jews and sent to a camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach Farsi to Head of Camp Koch, who dreams of opening a restaurant in Iran once the war is over. Through an ingenious trick, Gilles manages to survive by inventing words of "Farsi" every day and teaching them to Koch.