Nick Stringer (born 10 August 1948 in Torquay, Devon) is an English actor.
In a thirty year career, Stringer has appeared in numerous well-known British television shows, including The Bill, Open All Hours, Only Fools and Horses, Auf Wiedersehen, Pet, Coronation Street, Family Affairs, Minder, Johnny Jarvis, Butterflies and My Family.
He also had a small part in the film, The Long Good Friday.
Stringer appeared in the first two series of The New Statesman as the fictional Member of Parliament Bob Crippen, a Labour opponent of the Conservative Alan B'Stard.
Other roles have included a cameo role in Goodnight Sweetheart in the episode "You're Driving Me Crazy" as an undercover detective, and as a deputy headmaster Mr Sullivan in Press Gang (mainly appearing in the first two seasons).
He appeared in the BBC drama Holby City, in an episode entitled "Doctor's Dilemma", on 18 June 2008.
Stringer lives in Swansea, Wales, and is married with two children.
Stringer has also made two guest appearances in the BBC Sictom Only Fools and Horses, in the episodes Go West Young Man, as an australian man, and in Who Wants to Be a Millionaire, he plays Del's old business partner, Jumbo Mills.
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When the Welsh poet Dylan Thomas and his flirtatious wife Caitlin sweep into war-torn London, the last thing they expect is to bump into Dylan's childhood sweetheart Vera. Despite her joy at seeing Dylan after so many years, Vera is swept off her feet by a dashing officer, William Killick, and finds herself torn between the open adoration of her new found beau and the wily charms of the exotic Welshman.
Rebellious and irreverent, Captain Jack is a man on a mission. Come hell or high water, he's determined to follow in the footsteps of Whitby's unsung hero, Captain Scoresby, who set sail from the town bound for the Arctic in the 18th Century. Assembling a crew of oddballs and misfits, the cantankerous captain weighs anchor and voyages into the unknown. His ship has been certified unseaworthy, and he's pursued by the Royal Navy, NATO and journalists, but nothing is going to stop Captain Jack fulfilling his wildest dream.
When Dorset postman Clive Peacock is forced into early retirement, the years ahead look bleak. But on his last day in the job, in a moment of unexpected rebellion he makes a decision that will change his life. As he makes his final collection from the postbox in the small seaside town where he lives, he decides to deliver the letters himself, by hand, no matter the destination. Mounting his trusty bicycle, he sets off on what proves to be an odyssey of self-discovery. Pursued by the police and lionised by the media, Clive becomes both a fugitive and a reluctant hero.
An aimless young man, Johnny, is sent prison. He entrusts his beloved dog, Evie, to the care of his former lover and best friend, Frank. When he gets out of prison, he has to face difficulties at home. Added to this, is the fact that he may have to give up Evie to Frank.
Satirical and surreal play by Arthur Ellis, dealing with the manner in which the British police force has been represented on TV for four decades. In 1949 Tom Riley is arrested for the murder of PC George Dixon. As he awaits interrogation at the station he is mysteriously transported into an episode of The Filth - a 1988 police series where the hard men rule, where he is told by the local CID that he'll be confessing to the murder or else his genitals are getting cut off ! This black comedy questions whether the police have changed or is it the way film and television present them.
The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter as the down-at-heel waitress who, with the help of prostitute Shirley and cross-dressing Wing Commander Morten, seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding judge isn't unfamiliar with her work.
School headmaster Brian Stimpson is obsessed with timeliness, order, and discipline. Brian misses his train after meticulously preparing a speech for an education conference. With no one else to turn to, he asks young former student Laura Wisely for a ride. Laura, upset over a break-up, agrees to drive him in her parents' car - which alarms her mother and father, who worry that she has run away with a married man and subsequently alert the police.
In stark black and white, Terence Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions.
In the late 1970s, Cockney crime boss Harold Shand, a gangster trying to become a legitimate property mogul, has big plans to get the American Mafia to bankroll his transformation of a derelict area of London into the possible venue for a future Olympic Games. However, a series of bombings targets his empire on the very weekend the Americans are in town. Shand is convinced there is a traitor in his organization, and sets out to eliminate the rat in typically ruthless fashion.
A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host.
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or eleven that year, picked on by bullies at the Catholic school he attends. He seems friendless. At home, his mother is quiet, his father is ill and angry. After his father's death, there's a wake, the coffin arrives, the body is removed. The lad grieves, alone.
Bill Nighy, Pete Postlewaite and (briefly) Julie Walters, then all of the Everyman Theatre Company, feature in this potent reportage/dramatisation hybrid about the occupation of the Fisher-Bendix Factory in Kirkby. Dohany uses a variety of imaginative techniques to explore the longstanding dispute, and a pronounced sense of urgency pervades this act of solidarity.