Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.
During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.
This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.
Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.
Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.
This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.
Yung (Ng Cho-fan) is an upper-class kid who has fallen from grace. He forms a warped relationship with a rich widow (Pak Yin), only to meet again his wife (Siu Yin Fei) with whom he’s lost touch during the war. The fateful affair eventually opens up a Pandora’s box, turning jealousy, betrayal and selfishness into fatal outcomes.
Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.