Following the extraordinary DANA, Spanish filmmaker Lucía Forner Segarra returns to Fantasia with BERTA, a tensely compelling new work that continues her explorations of accountability and empowerment following gendered violence. With a riveting lead performance from Nerea Barros (MARSHLAND) and a score from Forner’s regular composer Joan Vilà (EVERYONE WILL BURN), this film, like its titular character, leaves severe marks.
Madrid was one of the hardest-hit regions in the world by the pandemic of Covid-19. When the state of alarm was declared in March 2020, awarded filmmaker Hernán Zin grab his camera and went out to portray it from all fronts: hospitals, ambulances, nursing homes, funeral homes, fire department, police and army operations.He got exclusive access to places and situations that few filmmakers in the world had due to the effort of the politicians to keep the press out of the hospitals and nursing homes.
After a tragic turn of events at the new home he's fixing up, Daniel hears a ghostly plea for help, spurring him to seek out a famous paranormal expert.
Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.
In 2012, awarded filmmaker Hernán Zin suffered an accident in Afghanistan that changed his life forever. The traumas he had been accumulating during 20 years of war reporting suddenly imploded. He began suffering depression, loneliness and self-destructive behaviors. Searching for answers of what happened to him, Hernán Zin decided to interview other journalists. He asked them about their traumas, their losses, their fears and their families. DYING TO TELL is the first documentary film ever made about trauma in war reporters. It is a brutal and torn portrait of war, and a tribute to those who risk their lives for the world to be informed. —Contramedia Films
The marriage between Claudia and David has ended due to Claudia's addiction problems, in addition to the different psychological disorders she suffers from. Despite the dire state of their relationship, David does everything possible so that his beloved is happy and manages to lead as healthy a life as possible. That is why they both move to Galicia, where they will build a new and better life, and rediscover buried feelings.
The Spanish deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters - both detectives in the homicide division - to investigate the cases. With deep divisions in their ideology, detectives Juan and Pedro must put aside their differences if they are to successfully hunt down a killer who for years has terrorized a community in the shadow of a general disregard for women rooted in a misogynistic past.