atau dikenal sebagai
Yu Lik-wai (simplified Chinese: 余力为; traditional Chinese: 余力爲; pinyin: Yú Lìwéi; Jyutping: Yu4 Lik6 Wai4; born 12 August 1966), sometimes credited as Nelson Yu, is a Hong Kong cinematographer, film director, and occasional film producer.
Born in Hong Kong, Yu Lik-wai was educated at Belgium's INSAS (Institut National Superieur des Arts de Spectacle) where he graduated with a degree in cinematography in 1994.
Yu has become a mainstay in both the cinemas of China (where he is perhaps best known for his collaborations with director Jia Zhangke) and Hong Kong.
Yu has served as director of photography for nearly all of Chinese director Jia Zhangke's films, and along with Jia, the two men founded their own independent film production company, Xstream Pictures.
Set in China's underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.
The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.
Yuda, a Chinese immigrant, and his adopted son Kirin, who he saved being eaten by a tiger in the jungle, stand at the head of a massive pirated goods operation that brings in both money and influence. But their empire is crumbling, as corrupt politicians and rival gangs seek to end their power in the city. Yuda is soon got arrested and his dedicated son tries his best to save not just the family business, but his father's reputation.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.