Yahya, a man with a mysterious past, sets off into the desert and wilderness with a car that serves as his home, continuing his life by cutting and selling the hair of impoverished women and girls. Until he meets a clever 15-year-old girl whose stepfather intended to sell her, but she escapes by secretly getting into Yahya's car. This encounter leads Yahya to start a new phase of trying to forget and deny his past, as everything is set to change with the presence of this girl.
Sara (a 24-year-old girl) is supposed to babysit Matin (a 6-year-old boy) for the day, while his mother is at work. In the morning Matin tells Sara a story of a fight with his mother from the night before, this leads to a series of events through the day which will change Matin and Sara for the rest of their lives.
Muhammad: The Messenger of God is an 2015 Iranian film directed by Majid Majidi. The story revolves around the childhood of the Islamic prophet Muhammad. The film marks Iran's biggest-budget production to date and is the first part of the planned trilogy on the life of the Prophet. Barring a few scenes filmed in South Africa, the majority of the filming was done at a colossal set created in the city of Qom near Tehran. The film was officially announced in October 2011 and its filming was completed by 2013. The cinematography is done by Vittorio Storaro and film score is composed by A. R. Rahman. The film was selected for the Oscar for Best Foreign Language Film at the 88th Oscar ceremony in 2016, but was excluded from the short list.
Rumors is a comedy theater film starring Roya Miralami, Ahmad Saatchian, Negar Abedi, Majid Salehi, Javad Ezzati, Saeed Chengizian, Fahima Amanzadeh, Bahram Afshari, written by Neil Simon and directed by Rahman Seifi Azad, produced in 1392 in Iran. Deputy Minister Charlie shot himself in the ear at his wedding anniversary party. Now, in order to preserve their reputation, other guests try to hide this matter from each other and...
Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.