Natalie Talmadge was the middle daughter of the original "stage mother", Margaret Talmadge (Peg).
Her two sisters, Constance Talmadge (the comedienne) and Norma Talmadge (the tragedian) were also in the movies, and had their own production companies, bankrolled by Norma's husband in the 1920s, Joseph M.
Schenck.
Natalie married Buster Keaton in 1921.
She only played one further role, "Virginia Canfield" in Keaton's Our Hospitality (1923).
She had worked for Comique as a script girl/secretary for Roscoe 'Fatty' Arbuckle in 1917, and traveled west with the troupe when Schenck found new premises for "Roscoe" in California.
She spent a lot of time signing autographs on behalf of her popular sister, Constance.
Anita Loos, author of "Gentlemen Prefer Blondes", wrote a book called "The Talmadge Girls", which is mainly about Constance and Norma; Loos based the philosophy of "Lorelei Lee" on the philosophy of Peg Talmadge ("Get the money, and then get comfortable").
Natalie ended her days after her divorce from Keaton in a house in Santa Monica, a confirmed alcoholic.
Apart from "Our Hospitality", she appeared in supporting roles in several of her sister Norma's films (now believed to be lost).
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon, which lands Buster in the wilderness, later proves useful as their canoe is about go over a waterfall.
In this comedy, Constance Talmadge plays Babs, a girl who is thrown out of boarding school because she's more interested in studying romance than she is in studying books. The object of her affections is Jim Winthrop, but before they can wed, he has to find suitable mates for his two plain sisters, Dorcas and Matilda -- and Winthrop's elderly aunt, too. To speed things up, Babs takes it upon herself to find them all men.
The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
Fatty plays a village blacksmith in “Jazzville,” an imaginary rural village. There is a rivalry between Fatty and Cy Klone, the garage owner, over the affections of a pretty schoolteacher. A city chap unites the two rivals when he tries to steal the girl. An annual village ball features amateur talent in vaudeville stunts with Keaton as a wriggling Fatima who charms a long black stocking from a cigar box like a snake. The film is presumed lost.