detail profile nat dewolf
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Nat DeWolf is an actor and writer.
His New York theatre credits include Take Me Out (The Public Theater) and Betty’s Summer Vacation (Playwrights Horizons).
His regional credits include The Taming of the Shrew (Commonwealth Shakespeare Company), The Comedy of Errors (Pittsburgh Public Theater), Take Me Out (The Repertory Theatre of St Louis — Kevin Kline Award, and TheaterWorks), The Violet Hour (Barrington Stage Company), and The Accident and Tartuffe (American Repertory Theatre).
He co-wrote and co-starred with Laura Kirk in the film Lisa Picard is Famous, which made its world premiere at the 2000 Cannes Film Festival.
Mr.
DeWolf’s other film and television credits include the Merchant/Ivory produced Heights, Trick, We Pedal Uphill, “Law & Order: SVU,” and “Ed.
” He is a graduate of The Boston Conservatory and the A.
R.
T.
Institute for Advanced Theatre Training at Harvard University.
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Peran Yang Di Mainkan Nat DeWolf
In this anthology of shorts the...The Gay Agenda 23 2023
In this anthology of shorts, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Sit back and enjoy "Built for Endurance", "Exit", "Bro", "Family History" and "Best Wishes."
A student at a private school...
A thriller set in New York...A Most Violent Year 2014
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
The Parkers reclusive people who cling...We Are What We Are 2013
The Parkers, reclusive people who cling to ancient customs, find their secret lives threatened when a torrential downpour and the death of the family matriarch forces daughters Iris and Rose to assume special responsibilities.
Wilhelm Wilder Will is a talented...Vijay and I 2013
Wilhelm Wilder (Will) is a talented actor stuck on a New York City children's TV show where he portrays Bad Luck Bunny, a hapless green rabbit. Feeling a failure, he bears his fate with touching self-irony, but grows sulky and petulant when he thinks that his wife, daughter and all his friends have forgotten his 40th birthday. In the confusion following a road accident, all the world believes he is dead. Instead of rectifying the situation, he decides to fulfill a fantasy and attend his own funeral. Here he will learn what everyone really thinks of him. With the aid of his best friend Rad, an Indian restaurant-owner, Will becomes Vijay Singh, a handsome and gentlemanly Sikh, complete with turban and beard. Will confronts a unique problem: everyone likes Vijay, and most of all, he likes Vijay, more than he ever liked himself. (Sam Garbarski)
Spanning twentyfour hours HEIGHTS follows five...Heights 2005
Spanning twenty-four hours, HEIGHTS follows five New Yorkers challenged to choose their destiny before the sun comes up the next day.
A documentarian decides to follow the...Lisa Picard Is Famous 2000
A documentarian decides to follow the career of New York actress Lisa Picard, believing she is on the brink of fame. Instead, he bears witness to Lisa's continued, humorous, struggles as an actress, as well as the conflict that arises when Lisa's best friend Tate hits it big with an off-Broadway one-man show.
Gabriel is a young aspiring musical...Trick 1999
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
Its the 1990s Toby just out...The Dead Boys' Club 1992
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?
