Myko Olivier is an actor and producer, known for Menendez: Blood Brothers (2017), Glee (2009) and Castle (2009).
He was born in Palm Springs, Ca.
He studied at NYU's Tisch School of the Arts at the conservatory acting studio Playwrights Horizons Theater School.
He has been married to Rae Olivier since November 21, 2015.
Unveiled through a made-for-TV documentary, five chilling tales of found footage horror emerge to take viewers on a gore-filled journey through the grim underbelly of the forgotten 1980s.
After learning she's been entrusted to take care of her deceased cousin's children, an architect is torn between focusing on her career and honoring her cousin's wish.
A coming of age story about self-revelation. Sylvia, a struggling artist in New York, is fired from her job and flees back to her Texas hometown for a friend’s wedding. At the pre-wedding party, she meets an enigmatic stranger, Esteban. On the eve of the big day, he dares her to join him on a road trip through the jewel cities of the Deep South.
Troubled 17-year-old Sean Holloway falls in with a group of teenage outcasts called 'The Misfits,' whose charismatic leader, Ricky, takes him under his wing. But as Sean becomes more and more entangled in the gang's anarchist ways, things begin to spiral out of control, and Sean realizes Ricky is a ticking time bomb on a rampage of revenge. On the eve of Halloween, as night comes, everything explodes…
Randall Grimm has arrived in Los Angeles in search of his very own happy ending. Within moments of arriving, however, Randall is thrust into the very high-pressure networking atmosphere of a local LGBTQ film festival that his friend insists on attending. Awkward and out-of-place, Randall holds fast to the notion that Hollywood produces its very own happy endings. Soon, he imagines the high-pressure after-party to become the all-too-familiar royal ball of a fairytale; the cynical partygoers adopt the characteristics of evil stepsisters, and Prince Charming exists in the body of a Hollywood Leading Man. However, no Cinderella story can exist without a Fairy Godmother, and Randall deconstructs his happy-ever-after notions so he can discover that the only thing real in Hollywood is the FINAL REEL of whatever genre we write for ourselves.