atau dikenal sebagai
Monia Chokri (born 27 June 1982; Québec) is a Canadian actress and film director.
Born in Quebec City in 1982, she began her acting career after she completed her studies at Montreal's Conservatory of Dramatic Arts in 2005.
Her mother is of Scottish origin through Scandinavian ancestors, while her father is descended from Tunisian Berber roots.
In addition to having played in several theatre productions in Montreal, she has received notable roles in films presented at the Cannes Film Festival directed by Québécois filmmakers who are better known outside of Canada, namely Denys Arcand and Xavier Dolan.
In Heartbeats, she played Marie, a young woman who falls in love with the same man as her gay male best friend Francis, played by Dolan, who also directed.
The quality of her acting has been noted by critics, notably in Les Inrockuptibles and Le Monde.
At the end of 2010, the readers of Les Inrockuptibles named her #4 on their list of the top actresses of the year for her performance in Heartbeats.
Her debut as a director, the short film An Extraordinary Person (Quelqu'un d'extraordinaire), was released in 2013 and won the Prix Jutra for Best Short Film at the 16th Jutra Awards.
Her feature debut, A Brother's Love (La femme de mon frère), premiered at the 2019 Cannes Film Festival.
Babysitter, in which she was both the director and an actor, was released in 2022.
She received a Canadian Screen Award nomination for Best Lead Performance in a Film at the 11th Canadian Screen Awards in 2023.
At the end of summer, Clémence tells her ex-husband that she’s had relationships with women. Her life is turned upside down when he files to strip her of their son’s custody. Then begins a struggle of several years for Clémence to defend her right to be a mother and a woman – free to make her own choices.
Mercato takes us behind the scenes of today's soccer, a global industry with interests running into billions. Driss, a player agent, has seven days to save his skin before the end of the mercato...
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Sophia is a philosophy professor in Montreal and has lived as a couple with Xavier for 10 years. Sylvain is a carpenter in the Laurentians and must renovate their country house. When Sophia meets Sylvain for the first time, it’s love at first sight. Opposites attract, but can it last?
A shy teenager on a summer vacation experiences the joy and pain of young adulthood when he forges an unlikely bond with an older girl.
Damien Nadeau-Daneau, a young filmaker, is unable to finish a movie he started with french actor Denis Lavant. Indebted, he’s working at a post-production company, far from his artistic ideals. On the eve of his 33rd birthday, he is self-centered, unsatisfied, and lost in his own life. With no drama of his own, he is confronted with that of others who he meets over the course of his life. He will discover that reality is way more interesting than fiction.
In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.
Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.
When teenaged Fern is orphaned in the middle of a harsh Montreal winter, she is determined to avoid her mother’s tragic fate, and take care of herself. With Youth Protection nipping at her heels, she lies about her name and age, to get a job as a janitor another as a cook. Juggling life and work and the discovery of the book, ‘50 Ways to become a Millionaire: All you need to do is save,’ Fern decides to do just that, replacing her grief with the quest to become a millionaire. Written, directed and edited by award-winning filmmaker Wiebke von Carolsfeld (Marion Bridge, Stay), The Saver stars the newly discovered Imajyn Cardinal and is based on the young adult novel by Edeet Ravel.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.
Francis is a young gay man, Marie is a young straight woman and the two of them are best friends -- until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas' indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas' mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.
Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?