detail profile molina devi
Molina Devi
Molina Debi
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Riwayat Hidup
Molina Devi (13 August 1917 — 13 August 1977) was an Indian Bengali actress of Bengali and Hindi film and theatre.
As an actress, she played a wide variety of parts, later frequently playing matronly parts, especially Rani Rashmoni, patroness of the 19th-century Bengali mystic Sri Ramakrishna.
She acted in several dozen films, mostly in Bengali and Hindi.
With actor Gurudas Banerjee, she also directed a Calcutta-based theatre troupe, M.
G.
Enterprises.
Info Pribadi
Peran Yang Di Mainkan Molina Devi
A 1973 Bengali Drama Film directed by...
Tensions between two brothers arise when...Bonpalashir Padabali 1973
Tensions between two brothers arise when one of their daughters marries a government employee. Meanwhile, when Udas' first wife dies and his childhood sweetheart rejects him, he becomes an alcoholic, characterless bohemian kind of person. One day after a quarrel, when he hears baseless and incorrect news that Padma was having an affair with the doctor, he comes to murder the doctor with a knife. In the darkness, drunken Udas killed his old mate, Padma. As a result, he was convicted and sentenced to death.
The widower landlord fixes his wayward...
This story is about a poor...
A Lost Uttam Kumar Film
A 1958 Bengali Romantic Drama Film directed...Joutuk 1958
A 1958 Bengali Romantic Drama Film directed by Jiban Gangopadhyay featuring Mahanayak Uttam Kumar.
Deciding to start a school for...Manmoyee Girls' School 1958
Deciding to start a school for girls named after his wife, a zamindar looks for a married couple to manage the establishment. They apply for and get the job. The two are not actually married; they posed as a couple to obtain the job. After a series of complications and delicate situations, love blooms between the two and they marry.
Feeling lonely after his fathers death...Chandranath 1957
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
A poor guy named Dhiman Uttam...Shilpi 1956
A poor guy named Dhiman (Uttam Kumar) found a shelter in a rich man house but eventually fell in love with his daughter, Anjana (Suchitra Sen). Despite trying to make a name for himself by painting and sculpting, Dhiman and Anjana went through all kinds of turmoil to be together.
A 1955 Bengali Drama Film directed by...
A 1955 Bengali Drama Film directed by...
A 1954 Bengali Romantic Drama Film directed...Grihaprabesh 1954
A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.
The owner of Annapurna boarding house...Sharey Chuattar 1953
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
The firstever collaboration of Uttam Kumar...
A father who is ill is...
A tenant attacks the villainous landlord...Abhagin 1938
A tenant attacks the villainous landlord Jawaharlal Choudhry, injures his son Priyalal and abducts his daughter-in-law Sandhya. Sandhya escapes unharmed to her relative, the engineer Praksh, but her father-in-law refuses to take her back, believing her to be 'damaged goods'. Sheltered by the kindly Promode, her husband eventually accepts her back although she feels torn between affection for her savior and her marital obligations.
A wife rejected by her inlaws...
The poor but educated Mahim and...Grihadaha 1936
The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smoldering unhappiness takes the form of resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatic visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh, and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Sharatchandra's barely concealed hostility towards Achala's liberated Brahmo Samaj upbringing.
