detail profile mohammed dib
Mohammed Dib
محمّد ديب
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Riwayat Hidup
Mohammed Dib was born in 1920 in western Algeria in Tlemcen, a hometown to which he paid homage in his famous trilogy: La Grande Maison (1952), L’Incendie (1954) and Le Métier à tisser (1957).
A schoolteacher for a time, then an accountant, translator, journalist at “Alger Républicain” and for the Communist Party organ “Liberté”, he was finally expelled from Algeria in 1959.
He settled in France and began his literary career.
He was the first Maghreb writer to receive, in 1994, the Grand Prix de la Francophonie.
And the one of whom Aragon said: “This man from a country that has nothing to do with the trees at my window, the rivers on my quays, the stones of our cathedrals, speaks with the words of Villon and Péguy”.
Grand Prix de la Francophonie of the Académie française, Grand Prix du roman de la Ville de Paris, Mohammed Dib was immediately recognized as a major novelist.
Mohammed Dib received numerous awards for his work, including the Fénéon Prize in 1953 for his first novel La Grande maison, the René Laporte Prize in 1962 for the poetry collection Ombre gardienne, the Prize of the Association of French-Language Writers in 1977 for the novel Habel, and several prizes from the Académie française for poetry or novels.
In 1994, he received the Grand Prix de la Francophonie awarded by the Académie française, awarded for the first time to a Maghrebi writer; in 1998, the Mallarmé Prize was awarded to his poetry collection L'Enfant jazz and the Grand Prix du Roman de la Ville de Paris to his entire novelistic work; In 2001, the Prix des Découvreurs of the City of Boulogne/Mer rewarded his entire poetic work.
He died at his home in La Celles-Saint-Cloud on May 2, 2003, at the age of 83, leaving behind some of the most beautiful pages of Algerian literature.
Info Pribadi
Peran Yang Di Mainkan Mohammed Dib
A brief extract of four kids...Full Speed 1996
A brief extract of four kids' lives somewhere in France. Quentin, who won a writers contest and now pays more attention to his career as an author than to his friends, beautiful Julie, his girl-friend, much more mature than she looks, falling in love with Quentin's very best friend Jimmy, who is kind of stuck in his unability of self-expression and grown up under bad social circumstances. And there is the shy boy Samir, exiled from Algeria, who lost his "brother" and only friend some time ago. Samir heavily falls in love with Quentin, but he can't handle it...
This film presents the point of...Algeria 1954, The Revolt Of A Colonized 1974
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
