detail profile mohammad malas
Mohammad Malas
Mohamad Malas
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Mohammad Malas (Arabic: محمد ملص) (born 1945) is a prominent Syrian filmmaker.
Malas directed several documentary and feature films that garnered international recognition.
He is among the first auteur filmmakers in Syrian cinema.
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Peran Yang Di Mainkan Mohammad Malas
Suleiman a 12year old boy lives...The Tissues Vendor 2009
Suleiman, a 12-year old boy, lives overlooking Damascus with his poor family, along with many other displaced people from the Golan Heights. Suleiman decides with his mother and siblings to raise money by selling tissues to help his father, a gas cylinder seller. His dream? To buy a Suzuki pick-up truck of his own.
Thirtyyearold Imane lives with her husband...Passion 2005
Thirty-year-old Imane lives with her husband and three children in a modest house across from the historic citadel of Aleppo. She suddenly realizes that it's been ten years that she's been married, ten years during which she's done basically nothing more than take care of her husband and their three children.
In this documentary film Malas explores...Aleppo... Maqamat of Pleasure and Delight 1998
In this documentary film, Malas explores the life and music of the classical Aleppan singer and composer Sabri Moudallal (1918-2006). "Maqam" is the melodic system of traditional Arabic music.
Short documentary about political prisoners struggling...Over the Sand, Under the Sun 1998
Short documentary about political prisoners struggling to come to terms with haunting memories, produced for the anniversary of the Universal Declaration of Human Rights. The film presents a reflection on the effects of prison in general and on the theatre director Ghassan Jbaii in particular. The artist used his work to come to terms with his haunting memories and regain the world outside the prison walls.
A man recollects the conflict in...A Plate of Sardines 1997
A man recollects the conflict in the middle east through his personal memory. In this short documentary, Amiralay reflects on the first time he heard of Israel. Through recorded conversations with filmmaker Mohamed Malas, both Amiralay and Malas share their own unique stories and experiences about Israel and Israeli occupation. In the company of fellow Syrian filmmaker Mohammad Malas, the ground-breaking director Omar Amiralay revisits the ruins of the destroyed Golan village of Quneytra, occupied by Israel and then abandoned following the 1973 war.
In the 12th centurys Andalusia lives...Destiny 1997
In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.
Fateh Moudarres 19221999 was a crucial personage...Moudarres 1995
Fateh Moudarres (1922-1999) was a crucial personage in Syrian artistic and cultural life, a pioneer of contemporary painting, a literate and prolific novelist. For about forty years has transformed his atelier, located in the center of Damascus, into a place of encounter and dialogue on art. The film is a journey of love to the artist's universe, to his works composed from memories of light, colors, and the shadows of a painful existence.
Trained as an electrician Nazih Shahbandar...Light and Shadows, the Last of the Pioneers: Nazih Shahbandar 1994
Trained as an electrician, Nazih Shahbandar became fascinated with the technology behind film production and was one of the pioneers of cinema production in the 1930s and 1940s. In 1947, he set up a studio fitted with film equipment that was almost entirely of his own fabrication. He wrote scripts, built sets, and innovated new methods of sound recording and transmission. As an enthusiastic inventor, he produced and directed the first Syrian film with sound. His dream was to film and screen a 3D film. An ode to cinema, this documentary is a portrait of Shahbandar.
In the destroyed city of Quneitra...The Night 1992
In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.
Interviews with Palestinians living in Lebanese...The Dream 1987
Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
Focusing on key Arab films produced...Arab Camera 1987
Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.
Dib moves with his younger brother...Dreams of the City 1984
Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..
The precise portrait of a woman...The Memory 1975
The precise portrait of a woman who is present and fey at the same time, who is as tired as she is courageous and who seems to have surrendered and emancipated at once.
Quneytra 74 begins with shots of people...Quneitra 74 1974
Quneytra 74 begins with shots of people on the edge of the blasted city of Kuneitra. A woman breaks away from the crowd, makes her way towards the city, speeds up the step, as if to escape from the camera. Filmed on behalf of Syrian TV, the accuracy of Malas' light, shadow, silence and soundscape as essential elements of his cinematic language is evidenced here, as well as his interest in the issues of civil war, territorial war and identity destruction.
