detail profile mitsuyo asaka

Pemain : Mitsuyo Asaka. Karakter : Acting

Mitsuyo Asaka

あさか みつよ

atau dikenal sebagai

Riwayat Hidup

One of three female stars of post-war chanbara theatre (with Oe Michiko and Yoko Fuji)

Info Pribadi

Tanggal Lahir : 20 Feb 1928
Tempat Lahir : Tokyo, Tokyo, Japan
TMDB Person id : 1371954
IMDB Person id : nm0038318

Peran Yang Di Mainkan Mitsuyo Asaka

movie Life on the Longboard 2005
A depressed middleaged man takes up...

Life on the Longboard 2005

A depressed middle-aged man takes up surfing after he retires.

movie Fine, with Occasional Murders 1984
Kanako returns from the USA to...

Fine, with Occasional Murders 1984

Kanako returns from the USA to a troubled mother who witnessed a man leaving a murder scene and is consequently under persistent threat. For the time being.

movie Sachiko no sachi 1976
Based on the manga of the...

Sachiko no sachi 1976

Based on the manga of the same name by Kazuo Kamimura.

movie New Female Prisoner 701: Scorpion 1976
Once again we focus on Nami...

New Female Prisoner 701: Scorpion 1976

Once again we focus on Nami Matsushima. This time she has a sister who goes missing and after getting too caught up in doing something about it, our innocent heroine is given a fifteen year sentence for a murder she didn't commit. She's sent to an all women prison where she's not exactly welcome. Her fellow inmates torture, humiliate and try to kill her; but the Scorpion prevails long enough to get some justice.

movie The Life of a Chivalrous Man in Suruga: Broken Swords 1964
The second film in the Suruga...

The Life of a Chivalrous Man in Suruga: Broken Swords 1964

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.

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