Mitchell Stafiej is a disabled filmmaker and sound designer who lives and works in Montreal, Quebec.
He has lived with Type 1 Diabetes since he was 16 years old.
His films explore the potential and the political power of juxtaposition and the cut; language-less demonstrations of social change.
He embraces textural images and harsh sound and often shoots films on 16mm and lo-fi technology like HI-8 and cell phones.
He is constantly on the search for the ‘anti-image’ and tries to expand the notion of what can be considered cinematic.
He received his M.
F.
A.
in Studio Arts from Concordia University in 2018 and currently teaches film production, film studies, and art history at John Abbott College.
A car slowly navigates the winding streets and disparate airwaves of the United States of America in search of the scars of capitalism in natural landscapes, urban environments, people, and wildife.
Like a mumblecore for invisible disability, The Diabetic follows a lonely and irreverent 30 year old Type 1 Diabetic named Alek who returns to his hometown to re-live his teenage 'glory days.' Upon arrival in suburbia he finds that most of his old friends have moved away, started a family, or simply grown up. Only one person responds to his invitation: Matt, an old acquaintance who has never moved away from the suburbs. Matt represents everything that Alek despises about suburban life; the banal, boring, and uncultured. Unwilling to give up on his nostalgic dreams, Alek parties with Matt, launching them into a hallucinatory and directionless fugue through the dark streets of suburbia. Throughout the seemingly never-ending night and as Alek’s blood sugars become more erratic, he pushes Matt and their adventure to darker and darker places with complete disregard for their well-being.
A 25-year-old former cult member seeks out his family in a closed world of neon crosses, deadly alcoholism, and abuse.