Lenita - Traces of a Lady 2023

Cordially Yours 2022

Ten stories or one. Ten moments in the timeline: 1972, 1999, 1550, 2083, 1891, 2012, 1618 – and the same reality: violence giving the final face to relations in brazil. a slave revolt on a coffee plantation, the torture of an indian, the kidnapping of an ambassador, jews hiding from the inquisition, a tortured woman who sees her torturer in the audience to which she tells the crime committed by him, father and son talking during the second war, a widow who lost everything in “ensiling crisis” and is forced to marry and lose her freedom.

Desire Machine: 60 Years of Teatro Oficina 2021

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Dear Ambassador 2018

The extraordinary story of Luiz Martins de Souza Dantas, who served as Brazilian Ambassador to Paris during WWII. A largely unsung hero, he defied his own government’s orders by granting hundreds of unauthorised visas to Jews and others facing imminent capture and death.

The Ballroom 2007

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

Dôra Doralina 1982

Act of Violence 1981

Antônio Nunes is sentenced to 30 years in jail, after having killed a woman, and becomes known as ripper of women. Infatuated Tânia begins to visit him frequently and hires a lawyer to try to take him out.

Mestiça, a Escrava Indomável 1974

Compasso de Espera 1973

Jorge de Oliveira is an Afro-Brazilian poet who works in a publicity agency in São Paulo. Torn between his rich white lovers and his black family and friends, Jorge's situation serves as a springboard to a discussion about racial issues in Brazil.

The Red Light Bandit 1968

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.