Meral (8) just moved into a new town. She tries to make friends at her new school before their autumn school camp, but this is harder than expected. At home she befriends a little mouse that lives in her new room, which she calls Peepeep. Afraid that her parents will kill Peepeep while she is away, she secretly takes him with her. Thanks to the mouse, Meral makes some unexpected new friends. When an owl catches the little mouse, Meral blames her new friends. It is not until they set out into the wild to retrieve the owl pellet with Peepeep's bones that Meral finally understands what friendship is all about. OWLS & MICE is the sequel of the successful and award-winning FROGS & TOADS, from the same writer and director Simone van Dusseldorp.
Mirte is a cleaner in the reception centre for asylum seekers at the airport. She tries to forget her past through routine. When the charismatic West African Luc is brought in, Mirte seems to get a grip on her life again. A film about loss, fleeing and love from an unexpected corner.
Enigmatic Dutch crime lord Mirko is always a step ahead of the national police team. When Mirko's gang are forced to kill Russian mob baron Jegor's cousin Oleg, the cops hope their time has come. Both sides resort to dirty tricks, testing loyalties and using the antagonists' daughters and independent pimp Aziz for blackmail, which makes several bloody victims.
A rich American couple, a family of Dutch criminals, a French gay couple, a working class family from Germany and an illegal Moroccan youth and his kid brother, are all in Amsterdam, each with their own story. Different reasons make their paths intertwine, leading to a dramatic climax that changes their lives for ever.
Schnitzel Paradise is a Dutch film about a young Moroccan man working in the kitchen of popular Dutch restaurant.
Abdullah 'Ap' Bentarek is happy that, unlike his Uncle Yusuf who stayed in the ancestral Moroccan mountain village, his father Ali moved to the Netherlands – even though it does mean that he’ll have to deal with lousy friends and unrealistic expectations at the employment office. A light-hearted portrait of the immigrant experience and the ubiquitous intolerance of the unfamiliar in Dutch society.
In the TV film Polonaise, traffic jams have grown into a phenomenon in which traffic jam call girls, hairdressers and photographers enliven the endless delays. The film follows a number of people in a jam on the A5. The central character is a Pole in an expensive Saab Convertible, who is wanted by the police. A red Panda carries the heavily pregnant Hilde and her cynical sister. Hilde is worried because she has not seen her friend anymore after a quarrel. In an old Saab, a young couple is bickering. She is a `yuppie cunt' who stakes her marriage for a parking licence and is tired of her husband smoking dope. Charlie the music promoter is driving his son's car. He likes traffic jams, because they allow him to settle his deals undisturbed and meet his secret love, the traffic jam call girl Nena. While the characters are confronted with each other and themselves more and more, tension rises to a peak. A radio pirate connects the story lines with his chatter.