Albert Topaze, sincere schoolteacher addicted to "rote" morality, works at a private school run by supremely money-grubbing M. Muche, whose daughter, also a teacher, makes cynical use of the knowledge that Topaze loves her. Alas, Topaze's naive honesty brings him unjust dismissal...and makes him fair game for the "aunt" of his private pupil, really the mistress of crooked politician Regis, who needs an honest-seeming "front man." Can artful Suzy Courtois keep Topaze on the string? With steadily escalating disillusion comes moral crisis...
Envoi de Fleurs is based on incidents in the life of French composer Paul Delmet. Played by popular French singing star Tino Rossi, Delmet is depicted as a man all too willing to give up personal happiness in favor of blind ambition. After carrying on a romance by correspondence with beautiful young Suzanne (Micheline Francey), Delmet is on the verge of marrying the girl. Instead, he allows himself to be talked out of leaving France to further his own career, with disastrous results for all concerned.
Mr. Catignac, a pork butcher in Perigueux, plans to marry Victor, his son, to the daughter of a magistrate. What he does not know, for his son does it in hiding, is that Victor writes songs and has made his debut as a singer in a cabaret. To make matters worse, the young man has a mistress. When word of it leaks out, the whole family are outraged. One night, as Victor goes back home, they are all here, waiting for him.
A rural maiden's two suitors go off to war, leaving her pregnant.
To try solving the strange disappearances of 11 young Parisian women, the police obtain the services of Adrienne Charpentier, friend of the latest missing person.
A husband, exasperated by his wife, spanks her without paying attention to the open window in front of which he is. He is annoyingly surprised to discover the next day that the scene has been photographed by a neighbor, and that the image is circulating in Paris. A debate then ensues: is this an opportunity to call for revolt or a welcome manifestation of marital authority?
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other - fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
Honoré Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot bring himself to tell his son Césariot that his real father is Marius, the absent son of César, Césariot's godfather. Panisse leaves that to Fanny, the lad's mother. Dissembling that he's off to see a friend, Césariot then seeks Marius, now a mechanic in Toulon. Posing as a journalist, Césariot spends time with Marius and leaves believing tales he is a petty thief. Only after the truth comes out can Marius, Fanny, César, and Césariot step beyond the falsehoods, benign though they may be.
Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.
The intersecting lives of neighbors in a courtyard apartment building in Vienna,including a football player related to the concierge,a new blonde maid hired by the wife of a baron,whom both the athlete and a baron flirt with,and a deadbeat tenant who fakes his suicide.
Picking up moments after the end of Marius, this film follows Fanny’s grief after Marius’s departure—and her realization that she’s pregnant. Panisse continues courting her and embraces the baby’s impending arrival as a gift, so long as its paternity remains a secret. Fanny and Panisse wed, but after her baby’s birth, Marius returns unexpectedly and demands what he believes is still his.
On his wedding night with Hilda Bergmann, the daughter of a swedish chemist, the young and rich american Willy Keanton is stabbed by an unidentified masked man. He kidnaps the young woman, who is found later on by the count Robert d'Arbel. The detective Jacques Miral, nicknamed « the pointed tower's ferret » is put in charge of the case. Soon, he discovers that an international bandit, Méphisto, seeks to seize the formula of a process against asphyxiating gas, invented by professor Bergmann. The struggle is tough between Miral and the uncatchable Méphisto. Monique Aubray, Keanton's secretary and engaged to the detective, the Nostradamus stallholders and the « mastiff of Bordeaux », and the famous novelist Fortuné Bidon are also involved in the case...