In Fly Me to Minami, Lim’s fourth feature film and follow-up to his Stateless Trilogy, two transnational love stories intersect. The first of these stories is between Sherine, a fashion magazine editor from Hong Kong, and Tatsuya, an amateur photographer in Osaka. The second is between Seol-a, a Korean flight attendant, and Shinsuke, a married Korean-Japanese shopkeeper in Osaka’s Korea Town.
In postwar Japan, Tsuyako, a factory worker and mother, must decide between duty and love, her family and her freedom.
Mika, who grew up in an orphanage, having been abandoned soon after birth, begins to look for her mother Naoko. Finding Naoko living happily with her husband and teenage daughter Ayano, she continues to watch from afar...
TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.
Having lost both his mother and father, an 11-year-old city boy is sent to live with his grandparents in a small seaside village. Feeling responsible for his father's accidental death, he becomes increasingly introverted and finds himself unable to make friends with the local kids. Then an eccentric elderly doctor takes him under his wing, and tells him of an ancient ceremony where a sacred flame must be brought back from a remote island by a lone swimmer.
After a group suicide, two journalists investigate the cycle of suicides caused by spirits bound by the Suicide Manual.
When social worker Rika is sent to check on a traumatized old lady whose family have moved in at the site of the notorious Saeki family murder case, she unwittingly unleashes a cycle of terror that is transmitted via its victims further and further from its original source.