Asesinos de la lucha libre 1962

Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.

Bala Perdida 1960

Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.

Los fanfarrones 1960

Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.

El ciclón 1959

Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.

Blame Me 1959

A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.

Music of Always 1958

Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.

Tú y las nubes 1955

Camelia 1954

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

Ella y Yo 1951

Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.

Por querer a una mujer 1951

Ranch melodrama: romantic triangle leads to multiple murders.

De pecado en pecado 1948

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.