Asesinos de la lucha libre 1962

Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.

Bala Perdida 1960

Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.

Los fanfarrones 1960

Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.

Me importa poco 1960

Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.

El ciclón 1959

Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.

Blame Me 1959

A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.

Tú y las nubes 1955

Camelia 1954

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

Ella y Yo 1951

Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.

Por querer a una mujer 1951

Ranch melodrama: romantic triangle leads to multiple murders.

De pecado en pecado 1948

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.