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Michiyo Okusu (大楠 道代, Ōkusu Michiyo, born February 27, 1946) is a Chinese-born Japanese actress.
She has been nominated for four Japanese Academy Awards, and won the 1981 Outstanding Performance by an Actress in a Supporting Role prize for her performance in Zigeunerweisen.
She began her career as a film ingenue using the stage name Michiyo Yasuda, under which she scored major early successes with films such as A Fool's Love and numerous love stories and "samurai" period piece dramas.
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Renji Ishibashi, starring in the movie for the first time in 18 years, plays a hero with two faces, a dull novelist and a legendary killer. Susumu Ichikawa, an obsolete writer with no manuscript at all, had another face - a legendary hitman. But the truth of the matter is... he had never shot a person. One day, he receives a murder request from a friend. Seeing this as an opportunity to achieve the ideal hard-boiled novel, he decides to hire a real hitman and demands that he report to him the assassination situation as it was.
Whether it's someone mixing burnables and recyclables or noise from a neighbor's domestic spat, there's always something occupying the residents of a housing project in the suburbs of Osaka. However Hinako (Naomi Fujiyama) and Seiji (Ittoku Kishibe) couldn't care less. Having moved in just six months ago after the closure of their herbal medicine shop, the old couple is reluctantly putting their life back together. But when Seiji disappears, the apartment rumor mill churns: divorce, murder, dismemberment? As the story spins out of control, and a mysterious man with a parasol puts in a tall order of natural remedies, the truth turns out to be even more fantastic than gossip. Ranging from incisive comedy of errors to absurdist adventure to moving late life romance, "The Projects" is one of the biggest surprises of the year.
Based on the first novel, Spring Snow, of Mishima Yukio's Sea of Fertility tetralogy, it follows the troubled and illicit affair between two youngsters amongst the aristocracy and rich of early twentieth century Japan.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
Mugiko, an 18-year-old attempts to escape her unhappiness with village life by going to Tokyo to live and work in the geisha house run by her aunt. The daughter of a once great geisha, Mugiko is entitled by blood to train in the geishas ancient art of classical Japanese song and dance.
The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.
A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.
In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.
The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.
Ken Ogata plays Shiro Miyagi, a sprinter with Olympic aspirations whose dreams were shattered by WWII. A broken man, he leads the dissolute life of a gigolo until a chance meeting with a fiery young athlete named Hiroko (Michiyo Yasuda). Realizing that she has talent as a sprinter, Miyagi sees a second chance at Olympic glory in becoming her coach. Following Miyagi’s unconventional, military-style training, Hiroko sets a record for the 100-meter dash, but her greatest hurdle proves to be a “sex check” which all professional athletes must pass.
Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.