Libby, wild and enigmatic, wanders like a possessed woman among the corners of the streets of South Tel Aviv as she carries an explosive secret in her heart. Libby escaped from “Or La’banot" a religious care institution and she is on the run. Libby is desperately looking for Ezra, a mysterious relative of hers, who was appointed as her legal guardian, after she was declared "mentally ill" and then disappeared from her life. With vague details on his whereabouts, she encounters other people that Ezra knew or met, penetrates their loneliness while gathering more clues to the fate of the man who holds her keys to freedom.
A diverse cross-section of Israeli society converges in a single multi-use building, the Shikun. As people of different languages, origins and generations come together in highly theatrical encounters, they grapple with the current state of affairs. In a poignant metaphor inspired by Eugène Ionesco’s famous play “Rhinoceros”, some begin to turn into rhinoceroses, while others resist.
Yoram, a 50-year-old veterinarian living in Tel-Aviv, is forced to re-examine his relationship with his adolescent daughter Roni, after she wishes to end her life. He decides to take her on a journey to visit her mother’s family, a process of self and mutual discovery in a primordial desert land enveloping the Dead Sea.
Salah, an Israeli-Arab enterpriser, strives to bring happiness for the children of the Arab sector in Israel by opening a new chain of candy stores. 'The Firm', an Israeli corporation headed by Klausner , that controls Israeli candy market, resent Salah on his former business move - taking control over the Israeli market of Turkish coffee. Klausner sees the new business initiative of Salah as a real threat, not only a business one but also a cultural and a political one, even a real challenge against Zionism itself. In a disguise of a Business struggle the story reveals moral dilemmas and a cultural struggle: the Arab businessman trying to integrate in Modern Israel against the dominant Zionist culture.
Tel Aviv, Israel. The twisted paths of three very different men brutally collide due to a chain of unspeakable murders: a grieving father who has been doomed to seek vengeance and a police detective who boldly crosses the narrow boundary between law and crime meet a religion teacher suspected of being the murderer.
A brother and sister who run away from home find sanctuary in a deserted nature reserve. When the sister falls into the trap of a psychopathic killer, the brother sets out on a race against time to find help. In a twist of fate the rescue of the sister becomes inadvertently intertwined with the lives of a group of young tennis players, a ranger and his dog, as well as a team of policemen.
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.
Tali and Ori are a young Israeli couple. After attending their best friends' wedding, which ended in disaster, they have a big fight, which leads to Ori proposing. But there is trouble in paradise when Ori's conservative father meets Tali, and all hell breaks loose...
The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.