The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.
Back from a stay in the Far East, a woman who knew the names of the chiefs of a drug ring is murdered. Georges Masse, the famous reporter, decides to investigate, accompanied by his faithful photographer P'tit Louis. He will come across some unappetizing characters like M. Dubois, a killer, Luigi Costelli, a dangerous trafficker and a beautiful but dubious lady, Suzanne Wilson. After being himself suspected, Masse will make the truth triumph.
For the Marquis Barbezieux de Saint-Rosay, nobility is important. If anything can comfort her, it's her family tree. In order to erase any doubt he invites in his castle a cousin of his established in Scotland, whom he instructs to bring him his titles of nobility. A first person introduces himself, calling himself his cousin, but it's not him. Then one, then two, then three false cousins appear in turn. Will the real Saint-Rosay of Scotland eventually present itself?
A married tugboat captain falls for a woman he rescues from a sinking ship.