A bittersweet tale of a love affair between two people whose lives seem to have lost all direction. The female lead, Milla, is drifting aimlessly through life until she meets Aki. They fall in love - but happiness in a relationship shadowed by crime and drugs is not necessarily a given. The movie is based on the novel Minä ja Morrison by first-time author Kata Kärkkäinen
A film group is making movie in the little town. Writer Pentti Töysä interrupts film group's press conference and claims that script is written by him and it is based on true story. Töysä also says that he has written a new ending to the movie and that it reveals an old murder. Not everyone is happy about the new twist.
In this gloomy scenario about Finland's upcoming membership in the European Union, the country has become a poor peripheral area plagued by energy shortages and civil wars. Escaping the city to his summer cottage with his children and a lady next door, a divorced university teacher is forced to pick up a young delirious woman from the roadside. He soon falls in love with her, only to find out she is a sought-after deserter from a violent guerilla army.
Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.
Russia attacked Finland in late November 1939. This film tells the story of a Finnish platoon of reservists from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia who leave their homes and go to war. The film focuses on the farmer brothers Martti and Paavo Hakala.
A female fashion model Anni Stark takes leave from the fashion business and goes to Finland's Lapland for a vacation. Little does she know that there's a totally lunatic bunch of local hillbillies living in a nearby farmhouse. The plot thickens as one of the residents begins to harass Anni, who is left alone in the wilderness with only her dog to protect her. Too bad for her that her dog turns out to have divided loyalties.
Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.
In Helsinki, an ex-law student turned slaughterhouse worker commits a senseless crime that catapults him into loneliness. Only a woman who accidentally arrived at the crime scene wants to follow him, but guilt and the tightening net of the police throw a shadow over their desperate love affair.
Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his travel companion. Together they find reclusion in the Finnish Lapland, soon to be disturbed by a noisy group of foreign tourists and their pretentious Finnish hosts. When the hare gets ill and needs to see a vet, Vatanen must return to the city and finally face the choice between his new and former life
After a mixup at the check-in, Aimo Niemi boards a charter plane bound for the sunny island of Rhodes, Greece, instead of the Innsbruck Winter Olympics he's packed for. It's the early days of package tourism, and he is too shy and clueless to really sort out any of his problems — a suitcase filled with women's clothes, a flirtatious female roommate, and no money to buy food since he was prepared for full room & board in Austria.
Pertti Ylermi Lindgren was engaged to 76 women, married none, but took the money of all. Lindgren is the real thing, as far as swindlers go. Peter von Bagh asked him to play himself in a film that would reconstruct some of his greatest moments, i.e. the most flamboyant stunts – and he agreed.
Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.
In the year 2012 historian Raimo Lappalainen wants to illustrate how life was 50 years earlier. He becomes obsessed with the fate of a 1970s nude model Saara Turunen, and finds a perfect actress to reconstruct her life and death in front of a TV camera. Meanwhile, a strike at a nuclear plant is covered up by the media.