Matthew Victor Pastor is a Filipino Australian film director.
His feature films explore Asian Australian identity, and tell Filipino Australian stories.
An alumnus of the Victorian College of the Arts, University of Melbourne Faculty of VCA and MCM, his feature film Melodrama/Random/Melbourne had its Australian premiere at the 2018 Adelaide Film Festival, and was named Top Five Films for the week in The Age.
The film was also nominated for the 67th edition of the FAMAS Award (Filipino Academy of Movie Arts and Sciences Award) in the music category for his composer Fergus Cronkite (Andrew Tran).
Film critic Adrian Martin has called Pastor "an energetic and prolific filmmaker worth keeping tabs on.
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Masculinity, race and boyhood simmer in this stylish slow-cinema debut about a Filipino-Australian father and his six-year-old son, who are navigating a family divorce. Exploring the complexities of family, society and culture that shape young Filipinos, this feature debut from rising filmmaker Caleb Ribates depicts the tender relationship between an immigrant father and his young son as they deal with being abandoned by the boy’s mother. With its evocative black-and-white cinematography, long takes and naturalistic dialogue, Anak follows in the footsteps of slow-cinema masters like Lav Diaz and Apichatpong Weerasethakul, while finding an intimacy and tonal register that is all Ribates’ own.
March 2020, a worldwide catastrophic event unfolds, as an ensemble of young migrants' lives fall apart. Libra stares down the drop of a tall building, Razor deals drugs for flights back to the Philippines, Amanda is the survivor of an assault, Ying arrives from China, and Lit Phil is on the run. Meanwhile a young man with dark desires roams the streets. Through the chaos these lives will cross paths and a pencil will be taken to the jugular.
Set sometime in the not-too-distant future, after the worldwide crisis of 2020, Mandy is a 17-year-old Filipino Australian. In her final year of high school and dealing with her parents impending divorce, she navigates a world driven by a new normal of isolation and fear. Added to this she has a crush on her tutor Serena. Meanwhile, a young girl from the backstreets of Manila tells her story.
The Milk Man, a psychopathic murderer who preys upon women. Pinoy Boy, the world’s deadliest Filipino who is tasked with tracking him down. Angelo, the filmmaker who created them and is struggling to find an ending as the lines between his reality and the film blur. Underground auteur Matthew Victor Pastor, aka MVP, attacks racism, gender, love and serial killing in his most free-form, assured, challenging film to-date; the final chapter of his Filo-Aus Trilogy.