Nine Brazilian digital influencers see themselves stuck at home using social media as the only tool to have their voices heard.
A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.
Two strangers visit the penthouse of a recently deceased lover, only to find themselves learning more about each other.
In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.
As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.
In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?
The young Beto ventures to the Brazilian countryside in search of a collection of rare drawings. There he meets Samir, the collector, and his family ruined by the demise of the cocoa plantations. The journey and the encounter will irrevocably change the young man’s soul.
After heartbreaks and professional disappointments on planet Earth, Julio and Clara decide to flee together into space.
An astronomer is forced to leave the city where he lives in order to save his relationship. He ends up returning to the place he never intended to come back: The small town where he was born, stage of a great childhood trauma. Once there, he will discover the truth that will change his life forever.