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From Wikipedia
Mary Miles Minter (April 25, 1902 – August 4, 1984) was an American actress.
She appeared in 54 silent era motion pictures from 1912 to 1923.
In 1922, Minter was involved in scandal surrounding the murder of director William Desmond Taylor, for whom she professed her love.
Although gossip implicated her mother, former actress Charlotte Shelby, as the murderer, Minter's reputation was tarnished, and she gave up her movie career in 1923.
The story of Swedish silent film actress Sigrid Holmquist's life (1899-1970), by using the silent film medium. It consists of already existing film clips from the 1910s and 20s. Sigrid is played by eight different stars from her era, and she also plays herself. Sigrid Holmquist was born in Borås, Sweden and her stubborn spirit led her to become a movie star in Scandinavia and Hollywood before retiring from the movies in 1926. An experimental film project.
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
June Tolliver is a Kentucky mountain girl whose family is feuding with the Falins. But their differences are temporarily put on hold when revenue officer John Hale (Antonio Moreno) comes around. He falls in love with June and sends her to the city to get an education. When she returns and the feud breaks out once again, June tries to become a peacemaker between the two families.
Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
Because he believes that romance is dead, the city editor wants to can the "advice to the lovelorn" column. Rosalie Beckwith, the column's author, naturally disagrees with him. The editor suggests that she prove him wrong by seeing if she can find romance within a 40-mile radius of the city.
Tillie Getz, the eldest daughter of Jacob Getz, a brutal, driving father, lives in a Pennsylvania Mennonite village. Her Mennonite aunt leaves a will by the terms of which Tillie will inherit a small fortune if she has joined the Mennonite church by age eighteen. A plot is hatched by the lawyer who drew up the will and an attempt is made to force Tillie into a marriage with Absalom Puntz, an undesirable young man, sharing her fortune being its end.
Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.
When an Arizona ranchman (Willard Louis) is elected senator, he heads for Washington with his daughter, Judith Baldwin (Mary Miles Minter). But they leave behind ranch hand Tod Musgrove (Monte Blue), who is in love with Judith. In Washington, two men propose to Judith -- Congressman Hamill (Guy Oliver) and Robert Courtney (William Boyd). Since she doesn't know which one to pick, she puts them to a test at her aunt's woodland cabin.
The Eyes of Julia Deep is a 1918 silent comedy-drama film starring Mary Miles Minter, directed by Lloyd Ingraham. The film is based on the short story by the same name, written by Kate L. McLaurin. It is one of the few films starring Minter which are known to have survived.
George Periolat plays a dual role in this film, initially as Joseph Sayles a sickly old man who has taken his daughter, Rhoda (played by Mary Miles Minter), overseas after a quarrel with his family. She yearns to return home, but he has disowned his past. After his death, Rhoda ventures to America on her own. She nearly becomes destitute for a lack of money but happens upon some questionable fortune as she takes on the chores of Rosy Taylor after inadvertently finding an envelope with money in it. Rosy had been hired as a housekeeper (thus the money), but has passed away before actually showing up for employment.
Iris Lee is reared in the small town of Dalton by her deceased mother's friend, Martha Kane, and when she reaches adulthood, Martha's son Jim falls in love with her. When Iris fails to return his affections, Mrs. Kane treats her so coldly that Iris decides to leave the stuffy little village for the metropolis. On her journey, she accepts a ride with Jack Andrews, but after he attempts to kiss her, she leaps from the car and walks the rest of the way. While singing in the choir of a large metropolitan church, she is discovered by Jack's wealthy father Peter, who recommends her as a soloist. Light opera star Helen Manning, who has helped Iris to cultivate her voice, quarrels with her theatrical manager, and Iris is offered her position.
During a jewelry-store holdup, 6-year-old Millicent Hawthorne, the neglected daughter of a wealthy socialite, falls on her head and is carried home to be reared by Mother Gumpf, the leader of the thieves. The fall cost Millicent her memory, but at night she dreams of her former high-society existence, while during the day she works for Gumpf as a pickpocket and later becomes a cabaret dancer. A friend of the Hawthornes sees Millicent perform, recognizes her, and reports back to Mrs. Hawthorne, who has vowed to be a devoted mother should she ever find her daughter. Finally, after the Hawthornes rescue Millicent from Kraft, the lecherous cabaret manager, an operation restores her memory, and she delights in the love of her long-lost mother.
After the death of her father, a friend hides Dimples' inheritance in a doll, which Dimples carries to her new home at her aunt's boardinghouse. Meanwhile, having just ended his engagement to Eugenia Abbott and now looking for rest and relaxation, the wealthy Robert Stanley also becomes a boarder at the aunt's, and he and Dimples quickly fall in love. Then a stock market panic puts a severe strain on Robert's assets, and he must get a lot of cash in order to avoid a disaster. Dimples finds out, takes the money from the doll, gives it to Robert's broker and, as a result, saves her sweetheart's financial empire. Once again solvent, Robert can let his mind move back to romance, and so he and Dimples start planning their marriage.