detail profile mary lampson
Peran Yang Di Mainkan Mary Lampson
A groundbreaking film examining the challenges...Below the Belt 2023
A groundbreaking film examining the challenges people with endometriosis are facing. There is no known cure for this disease and often patients undergo several surgeries in hope of some relief.
Down the road from Woodstock in...Crip Camp: A Disability Revolution 2020
Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.
Truth or Consequences is a speculative...Truth or Consequences 2020
Truth or Consequences is a speculative documentary about time and how we weave the past into the present and our possible future. Set in the small desert town of Truth or Consequences, New Mexico, the film takes place in the shadow of a nearby Spaceport and the commercial exploration of space. Through the lives of the people in town and a filmmaker from the future, the film explores progress, echoes of history, and how we each navigate a sense of loss, within ourselves and within a changing world.
Follow the fouryear odyssey of three...The Unafraid 2018
Follow the four-year odyssey of three young immigrants in Georgia in this powerful observational documentary portrait of what it means to grow up in the United States as an undocumented (but fully DACAmented) American.
An examination of our dietary choices...Eating Animals 2018
An examination of our dietary choices and the food we put in our bodies.
Equal parts film conversation and social...The Maribor Uprisings 2017
Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.
On a remote patch of the...The Bad Kids 2016
On a remote patch of the Mojave Desert, amidst dusty tumbleweeds and rangy Joshua Trees, sits an anomaly: a high school where educators believe empathy, life skills, and the constancy of a caring adult are the differences that will give at-risk students command of their fates. On any given day, principal Vonda Viland calls kids at the crack of dawn to see if they’ll make it to school. And if they need a ride? Well, she’ll pick them up. Vonda knows each student’s challenges and coaches them tirelessly, never fostering false hopes. Her philosophy combines loving compassion with realism, and given her school’s rising graduation rate, it seems to be working.
Based on Naomi Kleins book This...This Changes Everything 2015
Based on Naomi Klein's book This Changes Everything: Capitalism vs. the Climate, a look at how people in various communities around the world play a role in the ongoing climate change debate and how they're affecting change in trying to prevent the environmental destruction of our planet.
The first film to fully expose...Kimjongilia 2009
The first film to fully expose the humanitarian crisis of North Korea, this stylish, deeply moving documentary is centered around astonishing interviews with survivors of North Korea's vast and largely hidden prison camps, and interspersed with archival footage of North Korean propoganda films and original art performances.
This documentary provides a window into...Taking Root: The Vision of Wangari Maathai 2008
This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.
Norman Mailer and a panel of...Town Bloody Hall 1979
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
This film documents the coal miners...Harlan County U.S.A. 1977
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Underground is a 1976 documentary film about...Underground 1976
Underground is a 1976 documentary film about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen. (Wikipedia)
Emile de Antonios film decimates Richard...Millhouse 1971
Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what amounts to the "best of" one of the worst political figures of the 20th century. Nixon was a shameless self-promoter while trying desperately to convince everyone that he wasn't. Through Alger Hiss and the "Checkers" speech to the character assassination of Helen Gahagan Douglas (among others), there are few stones left unturned.
Lighter and livelier than the films...1 P.M. 1971
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
