Santiago, a 20 year-old twink shaped by the anonymity of the virtual world, becomes frustrated with gay dating apps and starts obsessively looking for a real experience in the Buenos Aires nightlife.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.
Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don’t know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning. (M. V.)