Esterina, a young war orphan, joins two truck drivers, Gino and Piero, on their trips along Northern Italy. She wants to find her luck in the big city, but her dreams turn into disappointing experiences. She falls in love with Gino but he is not interested in her, until she disappears...
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.
Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.
In a village, the pharmacist and the innkeeper have an intense rivalry fuelled by the fact that they were once romantically involved many years before. To spite her rival, the innkeeper arranges to have her nephew set up a second pharmacy to take business away him. Unbeknownst to them a romance is developing between the younger generation of the families.
Gina is the daughter of a provincial newsstand dealer and spends her time reading pulp magazines and dreaming of a glamorous vocation on the big city. She enters a beauty contest in a nearby city, without her father's permission, and, en route, meets Franco, a salesman.
The historic clock of a small town needs to be repaired but there is no money in the town coffers to pay for it. Don Paolo (Peppino Spadaro), the Priest, raises the money by lottery and thinks the surplus should go to the poor. The Communists and Socialists object because they are afraid the priest will get the credit and they claim it as "the people's money." The democratic mayor (Arturo Brogaglia) can think of no solution other than organizing committees and sub-committees. Finally, Rocchetti (Paola Stoppi), the town mechanic who has no answers for town problems and hates the clergy and politicians alike, comes forward and repairs the clock for the sheer joy of work.
In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.
Everything unfolds in Naples seventeenth century, when a mysterious masked swordsman who calls Salvador Rossa becomes champion of the needy and lonely struggle against the cruel tyrant that frightens the country.
ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.